Journalism

This book provides the first systematic, empirical analysis of the media's approach to US vice-presidential selection (or the "veepstakes"). In their news coverage, Devine finds that media outlets typically treat vice-presidential selection as little more than a game-by focusing on how potential running mates might help to win the election, rather than how they might help the next president to govern. Based on an original content analysis of hundreds of veepstakes profiles from 2000-2020, this book quantifies the news media's relative emphasis on various selection criteria, in general and across different electoral circumstances. The analysis suggests that journalists generally fail to serve the public interest by emphasizing electoral over governing considerations. However, Devine also points to positive examples of media coverage that help the public to evaluate potential running mates' governing credentials, and suggests ways in which scholars, journalists, and citizens might encourage media outlets to provide more substantive, responsible coverage of the vice-presidential selection process in future elections.

Der insbesondere durch die Digitalisierung ausgelöste Medienwandel und die daraus erwachsenen Veränderungsprozesse für die Public Relations und Organisationskommunikation führ(t)en zum Verschwimmen zahlreicher Grenzen, die früher deutlicher zu erkennen waren. Der vorliegende Sammelband nimmt in drei Themenblöcken diese Grenzverschiebungen und die daraus resultierenden Veränderungsprozesse in den Blick. Erstens wird die Entgrenzung des Berufsfelds der PR und Organisationskommunikation betrachtet, wobei insbesondere die Vermischung von Journalismus und strategischer Kommunikation im Fokus steht. Zweitens fokussiert der Band die Entgrenzung spezifischer Bereiche und Instrumente der strategischen Kommunikation (z.B. Wahlkampfkommunikation, Markt- und Markenkommunikation, Beteiligungsverfahren). Drittens gehen Beiträge in dem Band Fragen nach ethisch-normativen Grenzverschiebungen und -überschreitungen in der strategischen Kommunikation nach und diskutieren, wie diese neu verhandelt werden.

¿The Palgrave Handbook of Media Misinformation provides a comprehensive and cutting-edge resource on the critical debates surrounding fake news and misinformation online. Spanning all continents and linking academic, journalistic, and educational communities, this collection offers authoritative coverage of conspiracy theories, the post-Trump and Brexit landscape, and the role of big tech in threats to democracy and free speech. The collection moves through a diagnosis of misinformation and its impacts on democracy and civic societies, the 'mainstreaming' of conspiracy theory, the impacts of misinformation on health and science, and the increasing significance of data visualization. Following these diagnoses, the handbook moves to responses from two communities of practice - the world of journalism and the field of media literacy.

What's it like covering East Asia as a foreign correspondent? In Spilling Ink, American journalist Jonathan Adams reveals the gritty reality of reporting from the world's most dynamic region. Lured by the biggest story of the twenty-first century - the Rise of China - Adams' first taste of Asia was interning in Hong Kong for the International Herald Tribune. After working as a Newsweek stringer and Taipei Times "copy-monkey," he made the leap to full-time freelancer, choosing fascinating but underreported Taiwan as his base. Adams' decade-long adventure takes the reader from backstreet meetings with sex workers and fortune-tellers to the interviews with presidents (and inadvertently making the news rather than just reporting it). We track down Catholic vigilantes in a violent corner of Mindanao, experience the frenzied build-up to the Beijing Olympics, chase serious stories on algae blooms and labour relations, and pay the bills with clickbait stories on Japanese maid cafes and penis festivals. And along the way we see the death of old media and the emergence of a new, leaner model. Spilling Ink (originally published under the title Welcome Home, Master) is an honest, funny, and revealing behind-the-scenes look at foreign reporting, a nuts-and-bolts account of finding, pitching and writing stories, of making a living as a freelance newsman. Part-travelogue, part Asian journalism primer, the book explains why Adams loved the job and why he ultimately left it.

"Christian dogma is about the only thing left in the world that surely guards and respects mystery. The fiction writer is an observer, first, last, and always, but he cannot be an adequate observer unless he is free from uncertainty about what he sees. Those who have no absolute values cannot let the relative remain merely relative; they are always raising it to the level of the absolute."What does it mean to be an artist? To be an artist and a believer, in the midst of a world so steeped in utility, secularity, "science," and technology that it seems to have no time or place for either? What are the contrasts and parallels among art, prudence, morality, wisdom, and contemplation? These profound questions are asked by too few and answered by still fewer. If we could overhear a conversation about them, would we not find Jacques Maritain and Flannery O'Connor a surprisingly well-matched pair-the influential matchmaker of the wedding of "art and scholasticism" and the great fiction writer who nourished herself from the Summa? Equipped with intimate and sympathetic knowledge of each writer, Joseph Nicolello deftly weaves a dialogue between the French philosopher and the American storyteller, in which first he, then she, takes the guiding role, exploring grand themes of "mystery and manners," the interdependencies of doing, making, thinking, and feeling, theological poetics and connatural knowledge, the requisites and rewards of literary culture-all the while taking sniper-like shots at modern idols and idiocies. The "Gloss and Primer" in advance of the dialogue presents us with a vision of how the art of fiction, and particularly Catholic fiction, can regain its bearings and its inspiration.

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In the wake of independence from French colonialism, a generation of North African nationalist leaders and progressive thinkers reimagined their futures through essays, periodicals, and publishing networks. Leaping Decolonization explores how these debates unfolded from the early 1960s to the early 1980s, when intellectuals across Algeria, Morocco, and Tunisia challenged colonial legacies, questioned the meaning of progress, and redefined the role of tradition in their societies. Idriss Jebari constructs a transnational intellectual history grounded in the lived experience of the region's post-colonial transformations. It is organized in a series of 'debates' on the meaning of decolonization, ranging from national culture to social emancipation. This study further sheds light on how radical thought was produced under authoritarianism, seeking to capture the aspirations of youth movements, and how North Africa's decolonization connects with other historical experiences. In doing so, Jebari addresses ongoing questions about the meaning of global history and the voices of intellectual peripheries from the Global South on the world stage.