Jazz

Musik macht glücklich! Das lässt sich in ganz Deutschland erleben: vom Mitsingkonzert über Sinfonieorchester bis hin zum Instrumentenbau. Das Bayreuth Baroque, das Playgroundfestival in Weimar, die Jazz Baltica und das Deutsche Chorfest sind Highlights im musikalischen Jahr. Und was macht den Romanischen Sommer in Köln so besonders? Wie klingt Musik in einer Tropfsteinhöhle oder in der JVA? Ob Musik hören oder machen, ob laut oder leise - Applaus für diese 80 Orte!

'If you have yet to explore her cosmic music, begin, as Andy Beta did, with Journey in Satchidananda, then open this detailed and illuminating biography. And prepare to be transported' OBSERVER'This book is one to cancel all your plans and really sink into . . . rich and textured' SHORTLISTMusician, wife, mother, daughter, sister, grandmother, collaborator, guru, iconoclast: Alice Coltrane is one of the most forward-looking yet misunderstood artists of the last fifty years.For most of her life - and even in the decades since her passing - she was seen merely as the widow of the late John Coltrane, one of jazz's 'great men' who has long been worshipped with an almost religious fervour and devotion. Yet ever so slowly, that level of love and appreciation is also being bestowed upon Alice. Her influence can be felt on new generations of musicians, especially women, people of colour and artists who seek to combine jazz with other musical forms. In Coltrane's music, we can observe the transformation of Black American music in microcosm: the gospel roots giving rise to jazz and bebop, then intermingling with soul and R&B, then onto rock, modern classical, psychedelia and new age.Cosmic Music is both the first full-length biography of Alice and a long-overdue corrective to the historical and critical record. Based on extensive research and scores of new interviews by acclaimed music journalist Andy Beta, it is the definitive account of a visionary whose influence is only just beginning to be appreciated in full.'A spiritually moving, epic love story for the ages' JAZZ TIMES'Andy Beta has a lyrical sense of the ideological mountains the couple were trying to scale with their work' NEW STATESEMAN

Oriental Jazz Improvisation: Microtonality and Harmony is a comprehensive comparative study that explores the incorporation of Turkish, Arabic, and North Indian scales and modes into jazz improvisation and modulation. The book includes a multitude of scales and modes from these music cultures, along with their transpositions. These scales and modes are essential for any musician interested in South-Western Asian or North Indian music. Besides, the book delves into numerous scales and modes from other cultures' folk music, such as Greek rebetiko, Bulgarian wedding music, or Jewish music, highlighting parallels and similarities among these diverse music traditions. Each scale and mode is presented in its purest - microtonal - form, including the exact interval values in the particular tuning used in the classical Turkish, Arabic, or North Indian music tradition. Additionally, the basics of the respective music theories are imparted. Further, the genuine scales and modes are transcribed into equal temperament and several practical techniques are shown how to apply them in a jazz context.

Volcanic Tongue presents the first ever collection of multi-award-winning author David Keenan's music writings. Keenan has been writing about music since publishing his first fanzine, inspired by The Pastels and by Glasgow (and Airdrie's) DIY music scene, in 1988. Since then, he has written about music for Melody Maker, NME, Uncut, Mojo, The New York Times, Ugly Things, The Literary Review, The Social and, most consistently, The Wire. Volcanic Tongue was also the name of the record shop and mail order that Keenan ran with his partner, Heather Leigh, in Glasgow from 2005-2015.<BR><BR>Volcanic Tongue features the best of his reviews, interviews and think pieces, with exclusive in-depth conversations between Keenan and Nick Cave, members of legendary industrial bands Coil and Throbbing Gristle, krautrock legends like Faust, Shirley Collins, the first lady of English folk, Kevin Shields of My Bloody Valentine, German auto-destructives Einstürzende Neubauten, as well as discographical analysis of the back catalogues of groups like Sonic Youth and musicians like John Fahey, extensive writings on free jazz and obsessive in-depth digs into favourites like Pere Ubu, Metal Box-era Public Image Ltd, Sun Ra, guitarist and vocalist John Martyn and many more. It is an essential addition to any music fan's bookshelf.<BR><BR> This first collection of his legendary criticism functions as an extended love letter to the revolutionary music of the 20th century and the incredible culture that sustained it.

Das Gitarrengriffbrett - Spielen, verstehen, meisternBist du bereit, das volle Potenzial deines Gitarrenspiels zu entfalten? Mit "Das Gitarrengriffbrett entdecken" wirst du zum Meister deines Instruments!Muss ich ein Naturtalent sein?Du willst dich auf dem Gitarrengriffbrett schnell und effizient bewegen? Dieses Buch zeigt dir, dass jeder mit der richtigen Methode und konsequentem Üben das Griffbrett verstehen kann. So entwickelst du kontinuierlich deine Fähigkeiten und machst spürbare Fortschritte.Muss ich jede Note auswendig kennen und lernen?Nein! - Natürlich nicht! Dieses Buch hilft dir dabei, Muster und Beziehungen zwischen den Noten zu verstehen, anstatt jede Note isoliert auswendig zu lernen. Das erleichtert dir das Lernen und das Spielen wird intuitiver.Zu komplex und überfordernd?Das Gitarrengriffbrett besteht aus vielen Noten, Akkorden und Skalen, die oft verwirrend und überfordernd wirken. Dieses Buch hilft dir dabei, das System der Gitarrenstimmung und die Beziehung zwischen den Saiten zu verstehen. So lernst du, die Positionen der Noten und die Musik in ihrer Gesamtheit zu begreifen.Dieses Buch bietet dir folgende Vorteile:Extrem simpler Einstieg - In diesem Buch lernst du die Grundlagen sehr schnell, leicht und verständlich aufbereitet.Verbesserung deiner technischen Fähigkeiten - Du lernst effektive Tipps und Tricks, Anschlagtechniken, Rhythmus - und Fingerübungen, damit jeder Song so klingt wie er soll.Effektives Merken der Noten Positionen - Dieses Buch bietet dir effektive Merktechniken und visuelle Hilfsmittel. Damit verstehst du das Griffbrett besser und kannst alle Noten schneller und sicherer finden.Klarer strukturierter Lernweg - Viele Lernmaterialien sind entweder zu fortgeschritten oder zu unstrukturiert für Anfänger. Dieses Buch bietet dir einen klaren, strukturierten Lernweg. Damit lernst du effizienter und schneller.Dieses Buch ist dein Schlüssel zu einem tieferen Verständnis der Gitarre. Egal, ob du Anfänger oder Fortgeschrittener bist, "Das Gitarrengriffbrett entdecken" wird dir helfen, deine musikalischen Fähigkeiten auf die nächste Stufe zu heben. Greife jetzt zu und starte dein Abenteuer auf dem Griffbrett!

JAZZ & LATIN aus der Reihe "Bum Bum Tschack" führt den Schüler von Grund auf in die musikalische Welt von Swing und Jazz ein und beleuchtet intensiv die rhythmische Welt Brasiliens und Kubas. Von Swing und Bebop über Samba, Baião und Bossa Nova bis zu Mambo und Songo und vieles mehr! Neben den wichtigsten Feels dieser Welten werden auch Soloideen und rhythmische Konzepte für das eigene kreative Spiel anschaulich erklärt. Viel zusätzliches Audio- und Videomaterial hilft, einen schnellen und musikalischen Einstieg in diese Stilistiken zu finden.Das neu aufbereitete Schulprogramm "Bum Bum Tschack" von Gerwin Eisenhauer besteht aus der Schlagzeugmethode für den Anfang (D 412) sowie den drei weiterführenden Bänden "Technik & Lesen" (D 421), "Grooves & Fills" (D 422) und "Jazz & Latin" (D 423).

Sven-Åke Johansson defies categorization. Oscillating between Free Music, Swing Jazz, composition, performance, music theater, vocal art, and visual experimentation, his work inhabits a space where genres dissolve and new forms emerge.This book is the most comprehensive collection of Johansson's compositions, realized and unrealized concepts, alongside his distinctive drawings, sketches, and textual explorations. Just as his music shifts fluidly between acoustic ready-mades, bruitism, solo works, free ensembles, jazz combos, and theatrical experiments, his writing resists fixed identities. Texts explaining compositions double as poetic structures, aphorisms transform into song lyrics, and vocal declamations spill from Instant Composing into the realm of literature.Rather than imposing a historical framework, this book presents a vivid collage of materials, arranged in thematic constellations that reflect Johansson's own artistic logic. At once an artist's book and a curated volume, it offers deep insight into his creative practice. A series of interviews further illuminates his singular way of thinking and speaking, providing multiple entry points into the world of one of the most unclassifiable figures in contemporary music and art.

In Chasin' the Sound: Learning Jazz Improvisation through Historical Models, authors Brian Levy and Keith Waters use solos by famous jazz musicians to outline a melodic and rhythmic vocabulary of jazz improvisation. In contrast to mainstream approaches based on rote memorization and generic chord/scale pedagogies, Chasin' the Sound encourages hands-on learning with activities that highlight the intangible yet key aesthetics of sound, groove, and feel. By studying jazz fundamentals alongside well-known examples of those fundamentals in practice, students and instructors will gain a broader and more meaningful understanding of the art of improvisation. In addition to exploring the mechanics of what to play, Levy and Waters offer ideas on how to play the essential roles of timekeeping, comping, and soloing, and how to develop routines within these roles. Supported by classroom-tested exercises and hundreds of original annotated music examples, students will learn the core rhythmic and melodic tenets of jazz while studying and playing along with the improvised solos and accompaniments of Charlie Parker, Louis Armstrong, Lester Young, Sarah Vaughan, Bud Powell, Clifford Brown, Wes Montgomery, Miles Davis, Red Garland, Max Roach, Philly Joe Jones, Paul Chambers, John Coltrane, and Sonny Rollins, among many others. Throughout, Levy and Waters show that great soloists and accompanists do not in fact have an unlimited vocabulary but rather use limited melodic and rhythmic resources as modules for infinite recombination.Written for all experience levels, Chasin' the Sound is a substantial workout for students and instructors to build chops and knowledge along the way.

Das Krautrock-Buch von Wolfgang Seidel in englischer Übersetzung Mit 'Wir müssen hier raus!' hat Wolfgang Seidel, Gründungsmitglied der Ton Steine Scherben, eine mitreißende Gegenerzählung zu den inzwischen gängigen Darstellungen des Krautrock verfasst. Nun erscheint sein wegweisendes Buch in englischer Übersetzung, ergänzt um Bildmaterial und eine Diskografie der 50 wichtigsten Krautrock-Platten.Mit dem Wissen desjenigen, der dabei war, bei den Hausbesetzungen und Demos, den ersten Konzerten von Bands wie Cluster, Tangerine Dream und Ash Ra Tempel, legt Seidel ein Buch vor, das die alte Bundesrepublik wieder zum Leben erweckt. Mit all ihren Widersprüchen und Kämpfen, in der gerade deswegen entstehen konnte, was heute als Krautrock gefeiert wird und was damals ein Versuch war, den Soundtrack zur Revolution beizusteuern. Die Revolution ist ausgeblieben, die BRD gibt es nicht mehr - und gestorben scheint ebenso die Utopie eines besseren Lebens, für das es sich zu kämpfen lohnt, auf der Straße wie im Tonstudio. Dabei sollte angesichts der gesellschaftlichen Verhältnisse die Parole noch immer lauten: 'Wir müssen hier raus!'Wolfgang Seidel zeichnet, ausgehend von diesem Lebensgefühl, dem Fluchtinstinkt der Jugendlichen, ein Bild der alten Bundesrepublik, das anders gefärbt ist als die vielen Gründungsmythen der ersten genuin deutschen Popkultur, des Krautrock, der eines vor allem nicht sein wollte: deutsch.Übersetzt von Alexander Paulick.

This elegant volume is a portrait gallery of 50 eminent legends spanning jazz history, from Jelly Roll Morton, perhaps the inventor of the art form, to contemporary axman Joe Lovano, who contributes a foreword.<BR>  <BR> Arguably America’s most profound cultural contribution, jazz has evolved for over a hundred years since its birth in the ethnic gumbo of New Orleans at the dawn of the 20th century. Like a mighty river, it has wended its way over time through geography, style, and mood, forming numerous tributaries along the way. In this reissue, each figure is featured in handsome vintage photographs and a pithy, revealing biography.

1959 saw Miles Davis, John Coltrane, Bill Evans and the other members of Miles's sextet come together to record the bestselling jazz album of all time: Kind of Blue. <BR><BR> 3 Shades of Blue follows the paths of Miles, Coltrane and Evans to the mountaintop of 1959 and their roads on from there. It's a book about music and business, race and heroin, and an astonishing meditation on creativity and the strange hothouses that can produce its full flowering. But above all this is the story of three very different men - their struggles, their choices, their inspiration. The tapestry of their lives is, in James Kaplan's hands, an American Odyssey.

In the 1920s, novelty piano playing was all the rage, made popular by Victor Records and the Q.R.S. player-piano rolls that people enjoyed all across America. The prime composer of this music was piano genius Zez Confrey, who wrote his Ten Lessons for Piano for musicians who wanted to play in this new, jazzy style. The course was in print for decades, and thousands of copies were sold. Unfortunately, the course was printed on cheap paper that would soon become damaged and then discarded. Today, the course is almost impossible to find. For that reason, Waking Lion Press has republished this classic work that will keep your toes tapping and your fingers flying across the keys.Confrey wrote, "In the preparation of this volume. the author had two aims in view: first, to produce a series of lessons that would, with proper application and study, develop the technical ability of the student to a marked degree; and second, to embody in each lesson sufficient musical attraction to eliminate the monotony usually associated with studies that may have been created for a similar purpose. Anyone with a rudimentary knowledge of piano playing may pursue these lessons with definite results: time-worn methods usually employed to attain such results have been avoided."The author hopes that this work will be accepted by his many friends as a tribute to their helpfulness, and that its object, which is to be of real benefit to his co-pianists, be realized. If these results are achieved, he will feel well satisfied with his effort."