Ungarisch

In this thrilling chase narrative, a hunted being escapes certain death at breakneck speed-careening through Europe, heading blindly South. Faster and faster, escaping the assassins, our protagonist flies forward, blending into crowds, adjusting to terrains, hopping on and off ferries, always desperately trying to stay a step ahead of certain death: the past did not exist, only what was current existed-a prisoner of the instant, rushing into this instant, an instant that had no continuation...Krasznahorkai-celebrated for the exhilarating energy of his prose-outdoes himself in Chasing Homer. And this unique collaboration boasts beautiful full-color paintings by Max Neumann and-reaching out of the book proper-the wildly percussive music of Szilveszter Miklós scored for each chapter (to be accessed by the reader via QR codes).

Never before translated short stories by the legendary Ágota Kristóf <BR><BR>'One of the 20th century's greatest writers' Camilla Grudova<BR>'Pure genius' Max Porter<BR><BR>I don't care: it's not even pretty. The song is sad, and old, so old.<BR><BR>I Don't Care presents the best short fiction by the Hungarian master Ágota Kristóf, selected by the author herself and available in English for the first time. Written immediately before her acclaimed Notebook trilogy, the works here oscillate between parables, surrealist anecdotes, and stories animated by a realism stripped to the bone. By turns harrowing and whimsical, cruel and sharply funny, Kristóf's world shifts our gaze to a shared reality, past and present. Here exile and existential alienation are undeniable - as is the force of every sentence, making for extraordinary and essential reading.<BR><BR>Translated from French by Chris Andrews

Die bewegende Geschichte von Frauen, die nach Zwangsarbeit und Todesmarsch ihre Befreiung durch die Alliierten erleben.Westfalen, April 1945. Unweit der holländischen Grenze werden 800 Frauen nach der ein Jahr dauernden Zwangsarbeit unter Todesangst durchs Deutsche Reich getrieben. Ostwärts, in Richtung Bergen-Belsen. Immer nachts, um vor den heranrückenden Alliierten nicht entdeckt zu werden. Nach langem Irrgang auf Landstraßen setzen sich ihre Bewacher aus Furcht vor den Amerikanern ab. Dass sie nun frei sind, ist für die Frauen kaum fassbar. Sie sind ausgehungert, halb erfroren. Als US-Lieutenant Sever erfährt, dass Lulu, eine der Frauen, deutsch und englisch spricht, bittet er sie, zwischen ihm und den gefangen genommenen Deutschen - zahlreiche SS-Männer und -Frauen - zu dolmetschen. Jenen, die ihr und ihren Mithäftlingen so viel Leid zugefügt haben, in dieser Funktion zu begegnen, wird für Lulu bald unerträglich. Die einzigartige Schilderung der ersten 24 Stunden in Freiheit öffnet den Blick ins Innerste dieser Frauen.

While visiting a Welsh castle, a young scholar finds himself at the center of occult rituals and a murder mystery in this "absolute treat" of a gothic detective story (The Guardian) At an end-of-the London season soiree, the young Hungarian scholar-dilettante Janos Batky is introduced to the Earl of Gwynedd, a reclusive eccentric who is the subject of strange rumors. Invited to the family seat, Pendragon Castle in North Wales, Batky receives a mysterious phone-call warning him not to go. But go he does, plunging him into a bizarre world of mysticism and romance, animal experimentation, and planned murder. His quest to solve the central mystery takes him down strange byways-old libraries and warehouse cellars, Welsh mountains and underground tombs. The Pendragon Legend is Antal Szerb's first novel and is a gently satirical blend of gothic and romantic genres, crossed with the murder mystery format to produce a fast-moving and often hilarious romp. But beneath the surface, the reader becomes aware of a steely intelligence probing moral, psychological, and religious questions.

In The World Goes On, a narrator first speaks directly, then narrates a number of unforgettable stories, and then bids farewell ("here I would leave this earth and these stars, because I would take nothing with me"). As László Krasznahorkai himself explains: "Each text is about drawing our attention away from this world, speeding our body toward annihilation, and immersing ourselves in a current of thought or a narrative..." A Hungarian interpreter obsessed with waterfalls, at the edge of the abyss in his own mind, wanders the chaotic streets of Shanghai. A traveler, reeling from the sights and sounds of Varanasi, India, encounters a giant of a man on the banks of the Ganges ranting on and on about the nature of a single drop of water. A child laborer in a Portuguese marble quarry wanders off from work one day into a surreal realm utterly alien from his daily toils. "The excitement of his writing," Adam Thirlwell proclaimed in The New York Review of Books, "is that he has come up with his own original forms-there is nothing else like it in contemporary literature."

A WASHINGTON POST NOTABLE BOOK OF 2024A PUBLISHERS WEEKY BEST BOOK OF 2024The gentle giant Florian Herscht has a problem: having faithfully attended Herr Köhler's adult education classes in physics, he is convinced that disaster is imminent. And so, he embarks upon a one-sided correspondence with Chancellor Angela Merkel, to convince her of the danger of the complete destruction of all physical matter. Otherwise, he works for the Boss (the head of a local neo-Nazi gang), who has taken him under his wing and gotten him work as a graffiti cleaner and also a one-room apartment in the small eastern German town of Kana. The Boss is enraged by a graffiti artist who, with wolf emblems, is defacing all the various monuments to Johann Sebastian Bach in Thuringia. A Bach fanatic and director of an amateur orchestra, he is determined to catch the culprit with the help of his gang, and Florian has no choice but to join the chase. The situation becomes even more frightening, and havoc ensues, when real wolves are sighted in the area...Written in one cascading sentence with the power of atomic particles colliding, Krasznahorkai's novel is a tour de force, a morality play, a blistering satire, a devastating encapsulation of our helplessness when confronted with the moral and environmental dilemmas we face.

A serpentine maze of memory and artistic obsession in post-war communist Hungary told in bold experimental style and perfect for fans of Helen DeWitt<BR><BR>Nothing approximates death as closely as photography.<BR><BR>Unspooling like a roll of film, The End captures in frames of language the faces and places of András’ memory, which together form a fever-dream collage of an artist’s psyche.<BR><BR>In a small town in communist Hungary, András Szabad’s childhood comes to an abrupt end with his father’s return from prison and the death of his loving mother. In search of new beginnings, András moves with his father to Budapest, where he discovers a passion for photography, for uncovering the invisible through the visible, and for fixing matter and memory so as to ward them against the inevitability of time.<BR><BR>An unorthodox first encounter brings András together with Éva, and soon they become entangled in a psychosexual relationship of consuming passion, but also bitterness and resentment.<BR><BR>With vibrant precision and fluid dialogue, Attila Bartis blends a sprawling family saga with 20th-century European history and offers an unflinchingly lucid yet boundlessly compassionate account of psychological devastation under authoritarianism.

An early-twentieth-century classic -- the turbulent, dreamlike story of a businessman torn between middle-class respectability and sensational bohemia "No one who has read it has failed to love it." -- Nicholas Lezard Mihály and Erzsi are on honeymoon in Italy. Mihály has recently joined the respectable family firm in Budapest, but as his gaze passes over the mysterious back-alleys of Venice, memories of his bohemian past reawaken his old desire to wander. When bride and groom become separated at a provincial train station, Mihály embarks on a chaotic and bizarre journey that leads him finally to Rome, where he must reckon with both his past and his future. In this intoxicating and satirical masterpiece, Szerb takes us deep into the conflicting desires of marriage and shows how adulthood can reverberate endlessly with the ache of youth.

Set in contemporary times, Baron Wenckheim's Homecoming tells the story of a Prince Myshkin-like figure, Baron Béla Wenckheim, who returns at the end of his life to his provincial Hungarian hometown. Having escaped from his many casino debts in Buenos Aires, where he was living in exile, he longs to be reunited with his high-school sweetheart Marika. Confusions abound, and what follows is an endless storm of gossip, con men, and local politicians, vividly evoking the small town's alternately drab and absurd existence. All along, the Professor-a world-famous natural scientist who studies mosses and inhabits a bizarre Zen-like shack in a desolate area outside of town-offers long rants and disquisitions on his attempts to immunize himself from thought. Spectacular actions are staged as death and the abyss loom over the unsuspecting townfolk.

Now in paperback, Satantango, the novel that inspired Béla Tarr's classic film, is proof that the devil has all the good times. Set in an isolated hamlet, the novel unfolds over the course of a few rain-soaked days. Only a dozen inhabitants remain in the bleak village, rank with the stench of failed schemes, betrayals, failure, infidelity, sudden hopes, and aborted dreams. "Their world," in the words of the renowned translator George Szirtes is "rough and ready, lost somewhere between the cosmic and tragic, in one small insignificant corner of the cosmos. Theirs is the dance of death." Into this world comes, it seems, a messiah...