Weibliche Autoren

With calm elegance and precise language, Rivers in My Veins is a work of lyric courage celebrating the connection we all share to the earth. Kara Briggs' poems sing her people, Sauk-Suiattle and Yakama, onto the pages. "Land we live on land," she writes, calling us to embrace our kinship with the earth. As a career journalist, Briggs uses documentary poetry to expose the false settler-colonial narratives while innovating rhythms from the social dances of her tribes in poems that take the reader to the dance circle. She received the 2024 James Welch Prize for Indigenous Poetry for "Acknowledgement Two," a poem in this collection about her uncle who fought for fishing rights. Her fierce love of lands, waters, and stories of her peoples are carried in familiar poetic forms-sonnet, pantoum, and haiku-as vehicles to carry the readers on a journey through our shared world of literary - and deeply alive - landscapes.In groundbreaking forms of her ancestors and for future generations, Briggs introduces profiles of a Yakama treaty fisherman, a great-great-grandmother basket maker, and a Sauk-Suiattle leader calling for accountability, sharing the humanity and modernity of Native peoples. She uses sonnets, pantoums, and haiku as familiar vehicles for readers as she carries them into unfamiliar history and perspectives. She questions our relationship with words about Indigenous peoples by exploring their etymologies. She engages literary ancestors, poets Carolyn Kizer and Janice Gould, re-examining their poetics in her own. Kara Briggs works on environmental issues with tribes on the West Coast and has a background in journalism and higher education. She is a former president of the Native American Journalists Association. She graduated in 2024 with a Master of Fine Arts in Creative Writing from the Institute of American Indian Arts. This is her first poetry collection and her first publication with St. Julian Press.

21 years Of escaping through the words I wrote, Trying to keep myself afloat, Surviving every tear. You now hold everything I held dear; Everything that broke me, woke me, Everything that fought me, taught me How to love myself again. Years of torment, Tearing myself apart, Only to make myself Whole again.

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"We have entered the territory of concrete poetry here, where the extreme formality of the book's layout begins to shape content. The expressionistic and often elevated lyricism of Quads is held in a fine balance by the book's formal restraint, and Oulipo meets concrete poetry in the service of conceptual play. But there is also passionate protest, mostly against the inescapable crap of life!" - John Jenkins, CorditeChris Mansell has published over a dozen books of poetry and a collection of short fiction, has been translated into many languages, and won prizes for her work. She is known for her experimentalm and sometimes seriously playful approach in which she crosses boundaries but, like all true poets, stays true to her words. She gives engaging readings which bring audiences into the sounds of the poems. Chris Mansell lives in the beautiful Shoalhaven in New South Wales among the beaches and the cows, but travels frequently to cities to engage and perform there.

Hallelujah Science comes at you like a muted fever and suddenly you find yourself wanting to stomp and shout. Kane’s level of insight, revelation, and economy becomes a spiritual exodus to the lands of being Black, white, a poet, a woman, a shadow, and a human being. To be sure, when we use the phrase "dropping science," Kane drops it on a regular basis in this book. Welcome to the science of living as a celebration to be questioned, laughed at, examined, and cut with verse so exact that you have to be willing to bleed to live. Willie Perdomo, The Crazy Bunch, winner of the New York City Poetry Award

The book is divided into four chapters, and each chapter serves a different purpose; deals with a different pain; heals a different heartache. milk and honey takes readers through a journey of the most bitter moments in life and finds sweetness in them because there is sweetness everywhere ifyou are just willing to look.

‘A vivid and imaginatively wrought divine world that is monstrous, magical and beautiful’ JENNIFER SAINT, bestselling author of Hera and Ariadne<BR> ‘Wholly original, incandescent... This poem is pure magic’ ELODIE HARPER, bestselling author of The Wolf Den trilogy<BR> ‘A powerful reflection on magic, power, family and the consequences of war. I absolutely loved it’ COSTANZA CASATI, bestselling author of Clytemnestra<BR><BR> A propulsive, electrifying and enraging retelling in verse of the life of Greek goddess Hekate, child of war turned all-powerful goddess of witchcraft and necromancy, by internationally bestselling poet Nikita Gill.<BR><BR> Born into a world on fire, Godling Hekate has never known safety. After her parents find themselves on the losing side of the war between the ruling Titans and the new Olympian Gods, Hekate is taken by her mother Asteria to the Underworld, where Styx and Hades agree to raise her. Meanwhile, Asteria is pursued across the world by Zeus and Poseidon and, to escape their clutches, transforms herself into an island in a stormy sea.<BR><BR> Orphaned and alone, Hekate grows up amongst the horrors and beauties of the Underworld, desperate to find her divine purpose and a sense of belonging in the land of the dead. <BR><BR> When she finally uncovers her powers and ascends to Goddess status, she realises that even the most powerful Olympians are terrified of her. But when immortal war breaks out again, threatening to destroy everything from Mount Olympus to the Underworld itself, the Goddess of witchcraft and necromancy is the only one who can bring the deadly conflict to an end...

'I am Black because I come from the earth's insidenow take my word for jewel in the open light.' Impassioned and profound, the poems in Coal showcase Audre Lorde in all her dazzling elegance and multiplicity. Mournful, celebratory, politically conscious, this early collection faithfully captures the complex interiority of the self. With insight and great feeling, these poems explore racial and sexual politics, liberation and love; they are strongly autobiographical (including poems about Lorde's children, her sister and her parents, as well as an elegy for a dear childhood friend). These timeless poems resonate down the years.

“Stunning . . . it is spectacularly good poetry, clear, lyrical and soaring . . . One of the triumphs of Ackerman’s pastoral is the demonstration of how closely compatible planetary exploration and poetry, science and art really are.” —Carl Sagan, The New Republic From Marginalian Editions comes a gorgeous reissue of celebrated poet and naturalist Diane Ackerman’s debut: a soaring ode to our solar system, planet to planet, blending science and imagination, astronomy and cosmology, as well as fantasy, satire, myth, and reflection. First published in 1973, The Planets: A Cosmic Pastoral introduced not only a splendid new poet but a whole new adventure in poetry. With bravura style, unbridled imagination, and a connoisseur's eye for precise scientific detail, Diane Ackerman’s debut brought us an unforgettable ode to each planet in our solar system, not to mention the moon, the comet Kohoutek, and the asteroid belt, as well as strange voyages to the stars, the bottom of the sea, through the human body, and into the mind. Diane Ackerman herself says: “I’ve always been baffled by people who write about nature only in terms of, say, junipers and cornfields, eschewing all things so-called ‘scientific,’ as if science were, per se, the spoil-sport of feeling. So wonderless a view of nature really doesn’t appeal to me.” The Planets is a rare fusion of art and science—one of the great poetic works of cosmic imagination.

Poems of loss and liberation, the body and the human spirit: the astonishing debut collection from Palestinian poet Batool Abu Akleen 'In this book, I am collecting the parts of myself I have found, in case there isn't anyone there to do so if I am killed.'Each of the forty-eight poems assembled in this startling bilingual collection represents a single kilogram of a body's mass. In spare, stark language, Abu Akleen writes of a city under siege and a self under constant assault, articulating the personal and the public in the midst of unspeakable violence. 48kg immortalizes her voice and, in doing so, reaches out for a space of shared humanity.'One of the most viscerally affecting collections of poems I have ever read. Devastatingly precise and unforgettable images emerge from every line... What is happening in Gaza is a genocide not a war, but not since Akhmatova have I read poetry that so potently reckons with the relationship between war and the body. They create a new category of literary grace out of the cataclysm. These are poems of fire and agony, bombing and starvation, but they are also poems of grace, cleverness, tenderness and yearning. A great international poet arrives with this collection, but it is also a landmark work of resistance. No human should have to write their poetry from inside death's dominion, but Batool Abu Akleen has done it, and the result is truly astonishing.' -Max PorterTranslated from Arabic by the poet (with Graham Liddell, Wiam El-Tamami, Cristina Viti and Yasmin Zaher), edited by Dominic J. Jaeckle and Cristina Viti, and published in collaboration with Tenement Press.

Sunday Times bestselling poet Donna Ashworth opens up as never before, blending poetry and prose with affirmations, visualizations and her own beautiful illustrations.'Donna Ashworth's words are sunshine for the soul. And this new collection is full of her best work.' - MATT HAIGThe trick, I think, is to become easily pleased. To be astounded, every day, by the things that so beautifully surround us. To really see this miracle of life we are living. To find magic in the minutiae. Knowing that we will never cease to be wowed by this universe and its miraculous glimmers of hope, love and connection.The Art of Being Easily Pleased is my most exciting project to date because it contains all of the whys and the hows.I created this book for all the 'overs' out there and for anyone who never felt enough and yet somehow too much...If you are an over-thinker, an over-feeler, an over-lover, an over-healer - you will know that this way of being does not flow. It takes work.This is me showing my work.Starting today, we find beauty in the ordinary. We remember who we are and we connect to one another and the energy that surrounds us all.'Be pleased, my friends, be pleased.There is much to be pleased about.'Donna x'This book will crack open your heart to let in more love.' - DAVINA McCALL'Donna is a human disco ball and this book will radiate shards of illuminating light onto our most troublesome shadows.' - DAWN FRENCH

An anthology of emerging and acclaimed poets that remind us we are more connected than we think.<BR><BR>Volume Three of The Central Avenue Poetry Prize showcases a dynamic chorus of voices from around the world—each one offering a unique window into the human condition. This anthology brims with feeling: loss and yearning, joy and curiosity, the quiet beauty of everyday existence. Every poem is a glimpse into a life, a moment, a truth.<BR><BR>From sharp observations to tender recollections, from lyrical portraits to bold declarations, this collection is a celebration of poetry’s enduring power. It reminds us that writing is not just an art, but a way of being—a means to uncover ourselves and forge deeper bonds with others.

Instant New York Times bestselling author and poet Maggie Smith returns with a new collection of poems on the sometimes-blurry distinction between mind and body, and how the self shifts and moves through time and space.<BR><BR>The title of Maggie Smith’s new collection comes from the eponymous poem:<BR> <BR>You ask what I’ll miss about this life.<BR> Everything but cruelty, I think.<BR> <BR>But you want one specific thing,<BR> so here—I’ll miss my body. I’ll miss<BR> <BR>its companionship, how it’s traveled<BR> with me, never leaving me—& by me,<BR> <BR>I mean my mind. My soul? My self?<BR> I don’t know what to call it, and besides,<BR> <BR>my body hasn’t traveled with me.<BR> I’ve traveled inside it. Do I wear it<BR> <BR>or does it carry me? Is the body a suit<BR> or a suitcase?<BR> <BR>Within, poems turn over the strange relationships between the body and the mind, the self and the world. With her signature tenderness and clarity of observation, and with stunning swoops of imagination, Smith considers—and reconsiders—what it is to be human: Does one life matter in the grand scheme of space and time? How can it be that we are the same people we were ten, twenty, or thirty years ago, but also different people? And could there be more to life, just beyond the borders of we can experience?<BR> <BR>Each poem is an ode to the power of our minds and proof that both a life and a self, whether within a suit or a suitcase, is infinitely expandable.

From the author of Good Grief, an intimate collection of poems and prose which offers a glimpse into the mind of a highly sensitive person, or empath.In a world that has become increasingly difficult to navigate—physically, mentally, and spiritually—having empathy is more important than ever. But what if you have a highly sensitive mind? Highly sensitive people, known as empaths, have an expanded capacity to feel not only one set of emotions but also those of others. They experience life more deeply than the average person, leaving them more susceptible to nervous system dysregulation, emotional trauma, and abuse.Divided into three parts—Body, Mind, and Soul—Brianna Pastor’s intimate collection of poems invites us to explore what it’s like to discover high sensitivity in adulthood and view life through an empathetic lens. Hopefully, by deepening our understanding of sensitivity and how it affects others, we can move one step closer to a more connected, healed world.I have a bellyachefrom constantly absorbingall this pain. I’d ask you to refrain from telling me,but your eyes already have.

'breathtaking poetry' - Donna Ashworth<BR><BR>'this book made me gayer' - Michaela Angemeer<BR><BR>'a powerful reminder that we're not alone' - Courtney Peppernell<BR><BR><BR>'To every woman I have ever loved, and to those I was afraid to.'<BR><BR>A poetic exploration of sapphic love and self-discovery from Isabella Dorta.<BR><BR>This collection will guide you on an empowering journey to explore sexuality with courage and understanding. <BR><BR>A coming-of-age, coming-out story that will leave you feeling seen, heard, and comforted, no matter which side of the closet you're on.

Margaret Randall's latest poetry collection "is a book suffused with curiosity and wisdom" (Tina Carlson). It includes the author interviewing herself, followed with several dozen new poems, demonstrating exactly how, in the words of a City of Albuquerque Poet Laureate, "She's proving to be timeless" (Hakim Bellamy).

What is love?<BR>It is the gold thread connecting between our hearts.<BR><BR>In this light-filled and multi-faceted book, her first since being awarded the Nobel Prize in Literature, Han Kang draws together the threads of her work and life, tracing the connections between her interior and exterior worlds through a sequence of essays, poems, photographs and diaries.<BR><BR>A book of reflections, of words and light, it has at its heart the tiny, north-facing courtyard garden at her home, cultivated solely through the reflected sunlight of the mirrors which she must move throughout the day, as the earth turns on its axis.<BR><BR>In a poem written at eight years old, Han Kang imagined a 'gold thread' of connection - an idea which she explores here with luminous attention, beginning with her Nobel Lecture. She writes of the wonder of following the thread we call language into the depths of other hearts, and her profound sense of an electric current which joins writer and reader.<BR><BR>Both intimate and illuminating, Light and Thread is a book for all readers of Han Kang's unique body of work.

“Poetry in Korea has been a vaunted form—and traditionally left to men. Kim broke away from the masculine styles that came before her. . . . Kim has pursued a vernacular that’s intensely Korean yet open to the world.” —E. Tammy Kim, New YorkerFrom the legendary avant-garde poet Kim Hyesoon, a landmark collection documenting her first and only work of digital performance art to date.In March 2014, Kim Hyesoon, the grand dame of contemporary Korean poetry, began to post anonymously on the online blog of Munhakdongne, a major South Korean publisher. Rather than use her own name, Kim Hyesoon’s chosen persona for these blog posts was Lady No. Fittingly, Lady No’s writings are dissenting, combative, subversive, and ontologically feminine; formally, they defy any attempt at easy categorization. They are neither poems, nor are they prose, but a radical innovation Kim calls shisanmun—an ungovernable style that heralds her internationally acclaimed works Autobiography of Death and Phantom Pain Wings.The entries in this seminal collection, arranged chronologically and in their entirety here for the first time, are an eclectic hybrid of opinion editorials, aphorisms, recipes, daydreams, travelogues, art criticism, as well as treatises on the metaphysics of poetry and the current state of international literature. They take place in and around the world but most often they return to a country called Aerok, a frightening yet familiar mirror of contemporary Korea. First unwittingly, and then with concentrated grief, they chart the course of one of the most politically significant years in recent South Korean history: the sinking of the MV Sewol on the morning of April 16th that killed 304 people, including 250 high school students, and the reverberations of this national tragedy that culminated in the impeachment and ouster of the country’s then-sitting president. Taken together, these writings bear witness to the people’s shame, mourning, and perseverance under a corrupt administration—a painful public reckoning not dissimilar from our own.Surreal but visceral, and inflected with both humor and rage, Lady No contains perhaps the most accessible of Kim Hyesoon’s writing to date and documents her first and only work of digital performance art. Totaling 179 individual entries and featuring 34 drawings by the artist Fi Jae Li, Lady No explores the inner and outer lives of contemporary Korean women and embodies the inextricable link between social justice and literary citizenship.

'My current bedside book' Meghan, Duchess of SussexSunday Times bestselling author and Instagram sensation Jessica Urlichs returns with a new collection of beautifully observed poems about the ever-evolving journey of motherhood - the hard, the magic, and the fleeting.A mother is born the moment her children are, growing and blossoming alongside them. They Bloom Because of You is a celebration of that profound journey - a testament to the significance of mothering, and the quiet, extraordinary beauty of watching our children unfurl into who they are meant to be.Through words that have comforted millions, Jess Urlichs has become that gentle, unwavering friend - the voice that walks beside mothers through shimmering highs and the darkest, sleepless nights. In this new and deeply personal collection, her poetry resonates with fresh meaning as she reflects on the ever-changing joys and challenges of raising her growing family.Whether Jess's words have already touched your heart or you are discovering them for the very first time, this collection will leave you feeling held, seen, and deeply moved - with an ever-deepening love for your children and the journey of motherhood itself.

Sappho meets Springsteen in Insecurity System by Sara Wainscott, a wry exploration of memory, motherhood, interdimensional time-travel, and the precarious future. Propelled by existential longing, these poems cycle between tenderness and rage, desire and despair, tracking the intertwined anxieties of making a living and making a life.