You Can Teach Yourself Guitar Chords

A quick-reference guide to bluegrass G-tuning banjo chords, plus a fingerboard diagram showing the location of the notes on the banjo fingerboard.<BR>

"Achieving Guitar Artistry - Concert Solos" is a collection of 56 solos reflecting a wide array of colors, textures and moods. These were originally written for plectrum or flatpick guitar but may be played by the classical or fingerstyle guitarist. The solos range in difficulty from intermediate to advanced and will work wonderfully in recital or concert settings. Many of the solos encourage creativity with tone, expression and phrasing. Others are up-tempo and utilize Latin, jazz, bluegrass and Celtic rhythms. An ample amount of fingering and string markings are presented on each solo. This is the third book in the Mel Bay "Achieving Guitar Artistry" series. It follows "Linear Guitar Etudes" and "Triads". The goal of this series is to present material able to develop the serious guitar student into a very accomplished player.

This is the flagship book in Mel Bay's new "Achieving Guitar Artistry" series. Herein you will find an extensive collection of linear pieces with interesting melodic content. Frequent performance of these etudes will not only enhance technique, but offer the guitarist a wonderful opportunity to improve tone, touch and lyrical phrasing. We suggest playing each etude at a slow tempo at first, the goal being to achieve a clear and beautiful tone on every note. The next objective is to develop a sense of lyrical completeness to each musical phrase. Make the phrases sing! Once you have achieved the desired quality of tone and expression, increase the tempo to work on the technique. Mel Bay's Guitar Journals - Mastering the Fingerboard: The Reading Book (ISBN 9780786613687) would make an ideal supplement to Linear Guitar Etudes as it presents etudes in all keys and positions. The pieces in Linear Guitar Etudes are multi-positional. That is, the player will be required to move from position to position on the fingerboard. The music is presented in standard notation only, with left-hand fingering included on the more complex passages, and circled numbers to indicate the strings where certain notes and passages are to be played. These etudes sound good on both nylon and steel-string guitars, and will be a valuable addition to the music library of any guitarist, enhancing their abilities regardless of the style of music played.

This beginning method/songbook is designed for the D tinwhistle. Includes music theory, fingering diagrams, note studies, and plenty of songs for practice. The stereo recording features tinwhistle, guitar, and keyboard and contains many of the solos featured in the book. Includes access to online audio.