Vigil

NEW YORK TIMES BESTSELLER • From the Booker Prize–winning author of Lincoln in the Bardo and Tenth of December comes a literary master class on what makes great stories work and what they can tell us about ourselves—and our world today.<BR><BR>LONGLISTED FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD • ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, NPR, Time, San Francisco Chronicle, Esquire, Milwaukee Journal Sentinel, Town & Country, The Rumpus, Electric Lit, Thrillist, BookPage<BR><BR>“[A] worship song to writers and readers.”—Oprah Daily, "Best Nonfiction Books of the Past Two Decades"<BR><BR>For the last twenty years, George Saunders has been teaching a class on the Russian short story to his MFA students at Syracuse University. In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it’s more relevant than ever in these turbulent times.<BR><BR>In his introduction, Saunders writes, “We’re going to enter seven fastidiously constructed scale models of the world, made for a specific purpose that our time maybe doesn’t fully endorse but that these writers accepted implicitly as the aim of art—namely, to ask the big questions, questions like, How are we supposed to be living down here? What were we put here to accomplish? What should we value? What is truth, anyway, and how might we recognize it?” He approaches the stories technically yet accessibly, and through them explains how narrative functions; why we stay immersed in a story and why we resist it; and the bedrock virtues a writer must foster. The process of writing, Saunders reminds us, is a technical craft, but also a way of training oneself to see the world with new openness and curiosity.<BR><BR>A Swim in a Pond in the Rain is a deep exploration not just of how great writing works but of how the mind itself works while reading, and of how the reading and writing of stories make genuine connection possible.

SPIEGEL-Bestseller. - 'Genial! Unverzichtbar für alle, die gern lesen und schreiben.' Doris DörrieWie funktionieren gute Geschichten, wie schreibt man sie und was erzählen sie uns über unsere Welt: George Saunders führt den Leser durch sieben klassische Kurzgeschichten der russischen Meister Tschechow, Turgenjew, Tolstoi und Gogol, so wie er es zwanzig Jahre lang mit seinen Studenten im Creative-Writing-Programm machte. Unterhaltsam, witzig und erhellend erklärt der preisgekrönte amerikanische Bestsellerautor, wie Literatur funktioniert - und weshalb sie so wichtig für uns ist.Die Geschichten sind in voller Länge abgedruckt: Anton Tschechow, Auf dem Wagen, Herzchen, Die Stachelbeeren; Iwan Turgenjew, Die Sänger; Leo Tolstoi, Herr und Knecht, Aljoscha der Topf; Nikolai Gogol, Die Nase.

NEW YORK TIMES BESTSELLER • This inspiring meditation on kindness from the author of Lincoln in the Bardo is based on his popular commencement address.<BR><BR>Three months after George Saunders gave a graduation address at Syracuse University, a transcript of that speech was posted on the website of The New York Times, where its simple, uplifting message struck a deep chord. Within days, it had been shared more than one million times. Why? Because Saunders’s words tap into a desire in all of us to lead kinder, more fulfilling lives. Powerful, funny, and wise, Congratulations, by the way is an inspiring message from one of today’s most influential and original writers.<BR><BR>Praise for Congratulations, by the way<BR><BR>“As slender as a psalm, and as heavy.”—The New York Times<BR><BR> “The graduating college senior in your life probably just wants money. But if you want to impart some heartfelt, plainspoken wisdom in addition to a check, you can't do much better than [Congratulations, by the way].”—Entertainment Weekly<BR><BR>“The loving selflessness that [George Saunders] advises and the interconnectedness that he recognizes couldn’t be purer or simpler—or more challenging.”—Kirkus Reviews<BR><BR> “Warm and tender.”—Publishers Weekly

'Saunders is funny and kind as ever, and his narrative virtuosity puts him up there with the best' Anne Enright, Guardian <BR>'A triumph of storytelling' i paper<BR>'A joy. 'Effortlessly stylish, funny and smart' Daily Mail<BR><BR>From the pre-eminent writer of political dystopia and master of the modern short story, Liberation Day takes on ideas of power, ethics and justice, cutting to the very heart of what it means to live in community with our fellow humans. <BR><BR>In a Hell-themed section of an underground amusement park, a man is confronted with everything he has taken for granted about his reality. In coded emails, a grandfather advises his grandson on how to survive an autocratic regime. A political protestor for hire struggles to remember who he used to be. <BR><BR>These nine wickedly funny stories encompass joy and despair, oppression and revolution, bizarre fantasy and brutal reality. <BR><BR>'The only way to experience Saunders's oblique, farcical, tragic world is to dive right in. It will take the top of your head off, but it's worth it' The Times<BR>'The world's best short story writer . Liberation Day is great art' Daily Telegraph

NEW YORK TIMES BESTSELLER • “One of our most inventive purveyors of the form returns with pitch-perfect, genre-bending stories that stare into the abyss of our national character. . . . An exquisite work from a writer whose reach is galactic.”—Oprah Daily<BR><BR>Booker Prize winner George Saunders returns with his first collection of short stories since the New York Times bestseller Tenth of December.<BR><BR>ONE OF BARACK OBAMA’S FAVORITE BOOKS OF THE YEAR • ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, The New Yorker, Oprah Daily, NPR, Time, USA Today, The Guardian, Esquire, Newsweek, Kirkus Reviews, Booklist, Library Journal<BR><BR>The “best short-story writer in English” (Time) is back with a masterful collection that explores ideas of power, ethics, and justice and cuts to the very heart of what it means to live in community with our fellow humans. With his trademark prose—wickedly funny, unsentimental, and exquisitely tuned—Saunders continues to challenge and surprise: Here is a collection of prismatic, resonant stories that encompass joy and despair, oppression and revolution, bizarre fantasy and brutal reality.<BR><BR>“Love Letter” is a tender missive from grandfather to grandson, in the midst of a dystopian political situation in the (not too distant, all too believable) future, that reminds us of our obligations to our ideals, ourselves, and one another. “Ghoul” is set in a Hell-themed section of an underground amusement park in Colorado and follows the exploits of a lonely, morally complex character named Brian, who comes to question everything he takes for granted about his reality. In “Mother’s Day,” two women who loved the same man come to an existential reckoning in the middle of a hailstorm. In “Elliott Spencer,” our eighty-nine-year-old protagonist finds himself brainwashed, his memory “scraped”—a victim of a scheme in which poor, vulnerable people are reprogrammed and deployed as political protesters. And “My House”—in a mere seven pages—comes to terms with the haunting nature of unfulfilled dreams and the inevitability of decay.<BR><BR>Together, these nine subversive, profound, and essential stories coalesce into a case for viewing the world with the same generosity and clear-eyed attention Saunders does, even in the most absurd of circumstances.

WINNER OF THE MAN BOOKER PRIZE 2017<BR><BR>A STORY OF LOVE AFTER DEATH<BR><BR>'A masterpiece' Zadie Smith<BR>'Extraordinary' Daily Mail<BR>'Breathtaking' Observer<BR>'A tour de force' Sunday Times<BR><BR>The extraordinary first novel by the bestselling, Folio Prize-winning, National Book Award-shortlisted George Saunders, about Abraham Lincoln and the death of his eleven year old son, Willie, at the dawn of the Civil War<BR><BR>The American Civil War rages while President Lincoln's beloved eleven-year-old son lies gravely ill. In a matter of days, Willie dies and is laid to rest in a Georgetown cemetery. Newspapers report that a grief-stricken Lincoln returns to the crypt several times alone to hold his boy's body.<BR><BR>From this seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of realism, entering a thrilling, supernatural domain both hilarious and terrifying. Willie Lincoln finds himself trapped in a transitional realm - called, in Tibetan tradition, the bardo - and as ghosts mingle, squabble, gripe and commiserate, and stony tendrils creep towards the boy, a monumental struggle erupts over young Willie's soul.<BR><BR>Unfolding over a single night, Lincoln in the Bardo is written with George Saunders' inimitable humour, pathos and grace. Here he invents an exhilarating new form, and is confirmed as one of the most important and influential writers of his generation. Deploying a theatrical, kaleidoscopic panoply of voices - living and dead, historical and fictional - Lincoln in the Bardo poses a timeless question: how do we live and love when we know that everything we hold dear must end?

George Saunders, der "König der Kurzgeschichte" (NZZ), erzählt einfühlsam und virtuos von den Gefängnissen, in denen wir stecken - den realen wie den eingebildeten."Tag der Befreiung" versammelt so virtuose wie einfühlsame Erzählungen über die Gefängnisse, in denen wir stecken, die ganz realen und die eingebildeten. Sie handeln von Macht und Moral, Liebe und Verlust, von der Sehnsucht nach menschlicher Verbindung und dem Versuch, sich von allem zu befreien. Und davon, dass die Befreiung manchmal die noch größere Katastrophe ist.George Saunders erzählt mir großer Klarsicht von einer zutiefst verunsicherten Gesellschaft: Da ist der Großvater, der in einer nicht allzu fernen dystopischen Zukunft einen Brief mit einer zärtlichen Warnung an seinen Enkel schreibt. Oder die Mutter, die ein Unrecht an ihrem Sohn sühnen möchte, dabei jedoch nur noch größeres Unrecht verursacht. Oder der Obdachlose, der sich zu einer Gehirnwäsche bereiterklärt und doch eingeholt wird von seinem früheren Leben. Oder der unterirdische Vergnügungspark, in dem Hölle gespielt wird und der alles auf die Probe stellt, was wir für die Wirklichkeit halten...

THE NEW YORK TIMES BESTSELLER<BR><BR>'A masterclass from a warm and engagingly enthusiastic companion' Guardian <BR><BR>'This book is a delight, and it's about delight too. How necessary, at our particular moment' Tessa Hadley<BR>________________<BR><BR>From the New York Times-bestselling, Booker Prize-winning author of Lincoln in the Bardo and Tenth of December comes a literary master class on what makes great stories work and what they can tell us about ourselves - and our world today.<BR><BR>For the last twenty years, George Saunders has been teaching a class on the Russian short story to his university students. In A Swim in a Pond in the Rain, he shares a version of that class with us. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, these essays are for anyone interested in how fiction works and why it's more relevant than ever in these turbulent times.<BR><BR>Funny, frank and rigorous, A Swim in the Pond in the Rain ultimately shows how great fiction can change a person's life and become a benchmark of their moral and ethical beliefs.<BR><BR>'Part intro to Russian literature, part musings on craft, A Swim in the Pond in the Rain is all pleasure'<BR>Financial Times

#1 NEW YORK TIMES BESTSELLER • WINNER OF THE BOOKER PRIZE • A NEW YORK TIMES NOTABLE BOOK<BR><BR>The “devastatingly moving” (People) first novel from the author of Tenth of December: a moving and original father-son story featuring none other than Abraham Lincoln, as well as an unforgettable cast of supporting characters, living and dead, historical and invented<BR><BR>One of The New York Times’s 100 Best Books of the 21st Century • One of The Atlantic’s Great American Novels of the Past 100 Years • One of Paste’s Best Novels of the Decade<BR><BR>“[Lincoln in the Bardo] demonstrates that even the unspeakable—civil war, familial grief—can be named through a close, humanizing narrative voice.”—Amanda Gorman for Time, “25 Books That Capture This American Moment"<BR><BR>February 1862. With the Civil War less than one year old, President Lincoln’s beloved eleven-year-old son, Willie, lies gravely ill. In a matter of days, Willie dies and is laid to rest in a Georgetown cemetery. Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy’s body. From that seed of historical truth, George Saunders spins an unforgettable story that breaks free of its realistic framework into a thrilling, supernatural realm, deploying a kaleidoscopic, theatrical panorama of voices—living and dead, historical and invented—to ask a timeless question: How do we live and love when we know that everything we love must end?<BR><BR>Named One of the Ten Best Books of the Year by The Washington Post, USA Today, and Maureen Corrigan, NPR • One of Time’s Ten Best Novels of the Year • One of O: The Oprah Magazine’s Best Books of the Year

Fuchs 8 war immer schon neugierig und ein bisschen anders als die anderen Füchse seiner Gruppe. So hat er die menschliche Sprache gelernt, weil er sich gern in den Büschen vor den Häusern versteckte und zuhörte, wenn die Menschen ihren Kindern Gutenachtgeschichten vorlasen. Die Macht der Worte und Geschichten befeuert seine Neugier auf diese Wesen, bis Gefahr am Horizont auftaucht: Der Bau eines riesigen Einkaufszentrums zerstört den Wald, in dem die Füchse leben, und sie finden kaum noch Nahrung. Dem stets belächelten Tagträumer Fuchs 8 bleibt nur eines: Er beschließt, seine Fuchsfamilie zu retten, und macht sich auf den Weg zu den Menschen ...