The Setting Sun

Early Light offers three very different aspects of Osamu Dazai's genius: the title story relates his misadventures as a drinker and a family man in the terrible fire bombings of Tokyo at the end of WWII. Having lost their own home, he and his wife flee with a new baby boy and their little girl to relatives in Kofu, only to be bombed out anew. "Everything's gone," the father explains to his daughter: "Mr. Rabbit, our shoes, the Ogigari house, the Chino house, they all burned up," "Yeah, they all burned up," she said, still smiling."One Hundred Views of Mount Fuji," another autobiographical tale, is much more comic: Dazai finds himself unable to escape the famous views, the beauty once immortalized by Hokusai and now reduced to a cliche. In the end, young girls torment him by pressing him into taking their photo before the famous peak: "Goodbye," he hisses through his teeth, "Mount Fuji. Thanks for everything. Click."And the final story is "Villon's Wife," a small masterpiece, which relates the awakening to power of a drunkard's wife. She transforms herself into a woman not to be defeated by anything, not by her husband being a thief, a megalomaniacal writer, and a wastrel. Single-handedly, she saves the day by concluding that "There's nothing wrong with being a monster, is there? As long as we can stay alive."

"Dazai's best novel [...] focusing on a woman forced to deal with the consequences of heedless, Dazai-like behavior." --The New York Times "Carpenter conveys Dazai's discordant voices while sweeping away some of the rhetorical cobwebs of Donald Keene's 1956 translation and its dated introduction, making this the definitive edition of an epochal classic of postwar Japan for a new generation." —Library Journal A completely new translation of one of Osamu Dazai's best-loved novels, by award-winning translator, Juliet Winters Carpenter. The Setting Sun tells the story of Kazuko, a strong-willed young woman from an aristocratic family that has fallen into poverty since the war. The book follows Kazuko's journey as she and her family struggle to adapt to the harsh new conditions of a Japan destroyed by American fire-bombings. In addition to having to move from the city to the countryside, where she has to work in the fields to support her family, she has to deal with a divorce, her mother's illness, and the return of her drug-addicted brother from the army. An inspiring portrait of one woman's determination to survive in a society in the grip of a social and moral crisis, this classic work will appeal to those with an interest in modern Japanese literature as well as to those familiar with Osamu Dazai from the popular manga and anime series Bungo Stray Dogs, where he is the lead character.

The Flowers of Buffoonery opens in a seaside sanatorium where Yozo Oba-the narrator of No Longer Human at a younger age-is being kept after a failed suicide attempt. While he is convalescing, his friends and family visit him, and other patients and nurses drift in and out of his room. Against this dispiriting backdrop, everyone tries to maintain a light-hearted, even clownish atmosphere: playing cards, smoking cigarettes, vying for attention, cracking jokes and trying to make each other laugh.While No Longer Human delves into the darkest corners of human consciousness, The Flowers of Buffoonery pokes fun at these same emotions: the follies and hardships of youth, of love and of self-hatred and depression. A glimpse into the lives of a group of outsiders in pre-war Japan, The Flowers of Buffoonery is a darkly humorous and fresh addition to Osamu Dazai's masterful and intoxicating oeuvre.

... Ben hala, ölmeyi bile becerememis utanmaz, aptal bir hayaletten, yasayan bir cesetten baska bir sey degildim.Yirminci yüzyil Japon edebiyatinin önde gelen yazarlarindan, siradisi hayatiyla da meshur Osamu Dazai, intiharindan hemen önce tamamladigi, Japonyanin en cok okunan romanlarindan Insanligimi Yitirirkende topluma dahil olmayi beceremeyen, her seyi eline yüzüne bulastiran, cevresindeki herkesi hayal kirikligina ugratmaya mahkm bir ötekinin acikli hikayesini anlatiyor.Dazainin yasamiyla cokca paralellik tasiyan romanda, kendini cocuklugundan beri bir basarisizlik abidesi olarak gören, aristokrat bir ailenin oglu Oba Yozo hem evde hem de okulda büründügü soytari rolüyle var olmaya calisir. Bir itiraf niteligindeki üc bölümden olusan hatiratinda alkolizmle, geysalarla, sonucsuz kalan intiharlarla dolu, utanc yüklü yasaminin günahini cikarir.Insanligimi Yitirirken, Osamu Dazainin uzun yillara yayilan edebi intihar mektubunun son bölümü.

Essentially the start of Dazai's career, Schoolgirl gained notoriety for its ironic and inventive use of language. Now it illuminates the prevalent social structures of a lost time, as well as the struggle of the individual against them-a theme that occupied Dazai's life both personally and professionally. This new translation preserves the playful language of the original and offers the reader a new window into the mind of one of the greatest Japanese authors of the 20th century.