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Produktinformationen "The Novel Experience"

The Novel Experience introduces new approaches to the study of narrative fiction, for scholars, critics, teachers, and readers. At the heart of this concise book is a conception of experience that is influenced by the musings of third-century Buddhist thinker Nāgārjuna on the fictionality of truth and the emptiness of reality. Combining this insight with Nietzsche's method of intellectual genealogy and William James's transformation of emotion into "pure experience," Helmut Müller-Sievers proposes a way to talk about the experience of reading a novel that suspends the rush to judgment and ever-new "turn" in modes of interpretation. In its meditative corporeality, it is also beyond the grasp of any AI.For Müller-Sievers, every experience is novel and every novel is an experience. He explicates this parallelism through philosophical works that privilege experience over knowledge (without denying the importance of understanding). Interspersing analyses of Nāgārjuna, Nietzsche, and James with personal essays about the lived experience of reading works like Ralph Ellison's Invisible Man and Heinrich von Kleist's The Marquise of O, The Novel Experience shows that reading about experiences in novels has a transformative effect on the reader's understanding of what it is to experience. Teachers and readers should attend to these changes, acknowledging their singularity while creating a community within which they can abide.

Untertitel
Reading Fiction with Nagarjuna, Nietzsche, and William James

H | B | T | Gramm
199 mm | 122 mm | 11 mm | 170 gr

Erscheinungsjahr
2026

FSK
0

Ausgabe
Taschenbuch

Verlag
MNG University Presses

ISBN-10
150178563X

Autor
Helmut Müller-Sievers

Sprache
Englisch

Seitenanzahl
148

Themen
Literaturtheorie, Deutschland, Semiotik und Semiologie, Europäische Geschichte, Literaturwissenschaft, allgemein, Philosophie: Epistemologie und Erkenntnistheorie

Verantwortliche Person gemäß Art. 16 GPSR
Mare Nostrum Group B.V., gpsr@mare-nostrum.co.uk

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One of the most contentious questions in contemporary literary studies is whether there can ever be a science of literature that can lay claim to objectivity and universality, for example by concentrating on philological criticism, by appealing to cognitive science, or by exposing the underlying media of literary communication. The present collection of essays seeks to open up this discussion by posing the question's historical and systematic double: has there been a science of literature, i.e. a mode of presentation and practice of reference in science that owes its coherence to the discourse of literature? Detailed analyses of scientific, literary and philosophical texts show that from the late 18th to the late 19th century science and literature were bound to one another through an intricate web of mutual dependence and distinct yet incalculable difference. The Science of Literature suggests that this legacy continues to shape the relation between literary and scientific discourses inside and outside of academia.

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