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Produktinformationen "The Films of Rick Schmidt 1975-2015/ The NEW, FULL-COLOR, 2025 Youtube Edition."

Welcome to the NEW, FULL-COLOR, DELUXE/YOUTUBE 2nd Edition of 'Rick's Films,' with links to over fifty motion pictures at his youtube channel. For all those indie filmmakers who wonder about jumping into the "feature filmmaking" pond, here's a collection of unique indie productions that Schmidt created by hook or crook, many with running commentaries on 'the making of.' Budgets range right down to $39 for the DV movie THE HIGDEN MAN, to his recent NO TEARS FOR BANKERS (under $15,000) pulled together with non-actors, no pre-scripted story, just the magic of his IMPROV approach (see FOREWORD). What matters is that if "filmmaking" is your dream, this HOW-TO BOOK, with numerous "Director's Statements" by Rick on the struggles to produce IMPROV features, will hopefully form a basis for your future efforts (if HE can do it so can U!). By examining the various movie entries with their detailed discussions, readers can then equate that information with screening of TRAILERS and FREE FULL MOVIES, getting a sense of Schmidt's creative priorities. His approach to working with actors/non-actors, on-the-spot story-telling, editorial exploration, and the nuts and bolts of no/low-budget producing should begin to make sense. After all, his fully-improv,' $15,000 feature, MORGAN'S CAKE, nominated for the Grand Jury Prize at the SUNDANCE FILM FESTIVAL, offers proof of the pudding!-don't miss the full account in his book, "The Miracle of Morgan's Cake." So hopefully, the take-away from this "used-car filmmaking" book is that ANYONE CAN BECOME A SUCCESSFUL INDIE FEATURE FILMMAKER. With DV/digital moviemaking equipment-many features here were shot in DV--artists can now make their movies with affordable HD cameras or phones, shooting 4K video, finally completing the storytelling process with inexpensive editing apps. With determination, YOU can start to compile your own filmography of completed works, while earning a trip to Park City/Sundance and beyond. Good Luck!

Untertitel
NOW INCLUDES 50+ LINKS to his UNDISCOVERED INDIE CLASSICS!

H | B | T | Gramm
203 mm | 127 mm | 12 mm | 0.275 kg

Erscheinungsjahr
2026

FSK
0

Ausgabe
Taschenbuch

Verlag
Blurb

ISBN-10
9798349828836

Autor
Himself

Sprache
Englisch

Seitenanzahl
168

Themen
Fotografie

Verantwortliche Person gemäß Art. 16 GPSR
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SLEEPER TRILOGY--Three Undiscovered First features by Rick Schmidt 1973-1983
A new and exciting filmmaking book, "SLEEPER TRILOGY--Three Undiscovered First Features 1973-1983" has emerged from author/filmmaker Rick Schmidt, on the 50th year since his first feature production, A MAN, A WOMAN, AND A KILLER ((c)1975, co-directed with his then-roommate Wayne Wang). This latest tome, SLEEPER TRILOGY--324 pages with availability in both Europe and the US-- delivers the same high-level inspirational motivation as his earlier ground-breaking how-to, FEATURE FILMMAKING AT USED CAR PRICES, Viking Penguin, 1988, 1995, 2000), with examples of ways to engineer a flow of scene-creation and dramatic framework needed to deliver a successful IMPROV FEATURE that can compete with OTHER "Sundance-bound" works. SLEEPER TRILOGY hands the reader the indispensable tools of hyper-digital IMPROV moviemaking to pull it off. It should come as no surprise that Rick has brought out a new book on IMPROV FILMMAKING, to further expose readers to the joys (and the wild ride) of creating 10-years of motion pictures without a full script, using mostly non-actors, while letting dialogue flow from the innate intelligence of all participants within range of the shoot. His TRILOGY book is every inch a NEW INDEPENDENT "BIBLE"" for producers who wish to forge their new, film-or-video features into existence using Schmidt's on-the-fly techniques. Film directors such as Kevin Smith (CLERKS), Tom DiCillo (Living in Oblivion), Eduardo Sanchez (The Blair Witch Project) and Vin Diesel have used Schmidt's previous book to produce their breakthrough features. Writer/director William Farley (Citizen, I Wanted To Be a Man With A Gun--Three American Soldiers in WWII) has this to say; "If Schmidt can overcome all the obstacles he faced producing his first three features (well-documented in SLEEPER TRILOGY), then I can certainly handle the (lesser) problems I must face, during the months of production and seeking distribution."

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SLEEPER TRILOGY--Three Undiscovered First Features by Rick Schmidt 1973-1983
A new and exciting filmmaking book, "SLEEPER TRILOGY--Three Undiscovered First Features 1973-1983" has emerged from author/filmmaker Rick Schmidt, on the 50th year since his first feature production, A MAN, A WOMAN, AND A KILLER (©1975, co-directed with his then-roommate Wayne Wang). This latest tome, SLEEPER TRILOGY--324 pages with availability in both Europe and the US-- delivers the same high-level inspirational motivation as his earlier ground-breaking how-to, FEATURE FILMMAKING AT USED CAR PRICES, Viking Penguin, 1988, 1995, 2000), with examples of ways to engineer a flow of scene-creation and dramatic framework needed to deliver a successful IMPROV FEATURE that can compete with OTHER "Sundance-bound" works. SLEEPER TRILOGY hands the reader the indispensable tools of hyper-digital IMPROV moviemaking to pull it off. It should come as no surprise that Rick has brought out a new book on IMPROV FILMMAKING, to further expose readers to the joys (the wild ride) of creating 10-years of motion pictures without a full script, using mostly non-actors, while letting dialogue flow from the innate intelligence of all participants within range of the shoot. His TRILOGY book is every inch a NEW INDEPENDENT "BIBLE"" for producers who wish to forge their new, film-or-video features into existence using Schmidt's on-the-fly techniques. Film directors such as Kevin Smith (CLERKS), Tom DiCillo (Living in Oblivion), Eduardo Sanchez (The Blair Witch Project) and Vin Diesel have used Schmidt's previous book to produce their breakthrough features. Writer/director William Farley (Citizen, I Wanted To Be a Man With A Gun--Three American Soldiers in WWII) has this to say; "If Schmidt can overcome all the obstacles he faced producing his first three features (well-documented in SLEEPER TRILOGY), then I can certainly handle the (lesser) problems I must face, during the months of production and seeking distribution."

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