The Darkness Call

Written during the first three "Covid Years," For Now, We Have Been Spared is a collection of complex sequences and carefully constructed shorter poems that reflect the uncertainty of living through a pandemic-not only in terms of the immediate threats to the body, but also the tectonic shifts in how we perceive the nature of existence itself.The opening sequence-a sustained, metaphorical meditation on the devastation caused by the multiple deaths of a friend's sons, sets a tone of elegiac reflection that runs throughout the collection. Near tragedies are paired with simple joys; sickness is mirrored by health; coming-of-age is followed by poems immersed in the experience of aging.These are poems that carry the weight of decades of observation and experience. Their subjects range from the commonplaces of domestic life to the public realm of politics. What binds all of them together is their grounding in sensory detail. Extended narrative is present in nearly every poem. The subtle cadences of prose poetry also make their presence felt. These poems are set in particular, recognizable places and populated by everyday people who find themselves confronting trying circumstances. Always, though, hovering at the edge of perception, there remains the possibility of redemption and grace.

The poems in Bringing Back the Bones are startling intheir inclusiveness, juxtaposing history, science, myth,and popular culture with a narrative thread that risesfrom memory. Groups of distinctively individual poemsalternate with long poem sequences that range fromone based upon the difficulties of genius to one thatcontemplates the wondrous things that literally fall fromthe sky to the tile sequence, a meditation on the desirefor permanence.<BR><BR>As Robert Cording, author of Against Consolationand Common Life says, “Gary Fincke finds the wordsfor that lone, long labor of our lives that shapes who webecome and readies us for those moments when the‘possibility of happiness/surprise[s] us.’ He combinesthe empathy of Philip Levine for our ordinary livesand the thinking intelligence of Carl Dennis. His greatgift, like Levine’s and Dennis’, is the way he so casuallyconnects his own life to those worlds, his poems alwaysconvincing the reader with their intelligence, with theirsubtle wit and humor, and with their deep feeling asthey simultaneously strive for a history of permanenceand comically acknowledge our human failures.”

The Fire Landscape is a series of poem sequences that chronicle a wide variety of coming-of-age moments from childhood in the 1950s through the beginning of the 21st century. These deeply layered, complex narrative poems are connected by close personal observation of place and time but also by the politics of the Cold War and its aftermath, including a sequence driven by the May 4, 1970, shooting of students by the National Guard at Kent State where Gary Fincke was a student at the time.