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It makes us jump. It makes us scream. It haunts our nightmares. So why do we watch horror? Why do we play it? What could possibly be appealing about a genre that tries to terrify us? Why would we subject ourselves to shriek-inducing shocks, or spend dozens of hours watching a television show about grotesque flesh-eating monsters? Monstrous Forms offers a theory of horror that works through the genre across a broad range of contemporary moving-image media: film, television, videogames, YouTube, gifs, streaming, virtual reality. This book analyzes our experience of and engagement with horror by focusing on its form, paying special attention to the common ground, the styles and forms that move between mediums. It looks at the ways that moving-image horror addresses its audiences, the ways that it elicits, or demands, responses from its viewers, players, browsers. Camera movement (or "camera" movement), jump scares, offscreen monsters-horror innovates and perfects styles that directly provoke and stimulate the bodies in front of the screen. Analyzing films including Paranormal Activity, It Follows, and Get Out, videogames including Amnesia: The Dark Descent, Layers of Fear, and Until Dawn, and TV shows including The Walking Dead and American Horror Story, Monstrous Forms argues for understanding horror through its sensational address, and dissects the forms that make that address so effective.

For more than a half a century, James Hart's Oxford Companion to American Literature has been a matchless guide through the myriad paths and byways of American literary culture. It has been revised regularly since its first publication in 1941, although Hart died in 1990, before he could complete this new edition. The experienced reference book editor Phillip Leininger has completed the revisions for the sixth edition of this classic work .Nearly 200 new entries range from major new literary talents (Don Delillo, Thomas Flanagan, William Kennedy, Cormac MacCarthy) to playwrights and theatre people (Harvey Fierstein, John Guare, Stephen Sondheim, August Wilson), and science fiction and popular authors (Raymond Carver, Stephen King, Harold Robbins, Theodore Sturgeon). Many more entries have been expanded to take account of work written since the publication of the last edition (Saul Bellow, Norman Mailer, Joyce Carol Oates, John Updike). Leininger has also endeavoured to widen the scope of the book by adding entries on women (M. F. K. Fisher, Ursula Le Guin, Bobbie Ann Mason, Gloria Steinhem), as well as African Americans, Native Americans, and other ethnic groups. The Companions Chronological Index includes new literary and social notes that bring it right up to date.While there are a number of reference works dealing with American literature, none of them have the stature and authority of the Oxford Companion, a delight for both the casual browser and the serious student.