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Produktinformationen "OEuvres Completes d'Alexis Piron, Vol. 2 (Classic Reprint)"

23:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on White w/Gloss Lam

H | B | T | Gramm
229 | 152 | 31 | 770

Erscheinungsjahr
2017

FSK
0

Ausgabe
Kartoniert / Broschiert

Verlag
Forgotten Books

ISBN-10
1334909423

ISBN-13
9781334909429

Autor
Alexis Piron

Sprache
Französisch

Seitenanzahl
582

Themen

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Alexis Piron was a significant figure in France in the first part of the eighteenth century and his twenty or so opéras-comiques include some of the finest works in the genre. The two plays included in this edition are among Piron's best, and have in common the fact that they make use of pre-existing sources, although these are very different in kind, being, on the one hand, a short and obscure text made available by a group of writers working in the Netherlands but writing in French, and, on the other, one of the best known works of classical literature, the only novel in Latin to survive complete, The Golden Ass of Apuleius. The introduction studies how these disparate texts have been adapted, and notes draw attention to points of detail, comparing and contrasting the two plays. The background to the development of the genre of opéra-comique is also discussed, as is Piron's use of the musical material associated with the genre in the first decades of its existence.Text in French with introduction and critical apparatus in English.

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Oeuvres de Piron (Éd.1857)
Oeuvres de Piron / précédées d'une notice d'après des documents nouveaux par Edouard FournierDate de l'édition originale: 1857Le présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF.HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande.Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables.Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique.Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr

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When Alexis Piron embarked on his third tragedy Fernand-Cortés (1744) he was able to build on the experience of his second work in the genre, one of the most successful of its time, written eleven years before, Gustave-Wasa. However, his confidence in the play was shaken by a rowdy first night which led to an unsatisfactory first run, and he effectively withdrew it. Until, that is, he published a collection of what he thought were his most important works in 1758, when he wrote for it a new preface restating his confidence in it.The play certainly did not deserve that initial failure, but, as well as being worth reading for itself, it is of interest for other reasons too. 1736 saw the first performance of Voltaire's successful tragedy Alzire with a plot set in Peru with, as one of its central characters, an evil Spaniard who represents the harm done by the conquistadors in that country. Piron was one of those who shared what had become a traditional view of Hernán Cortés as a hero, so he set out to write a play showing that the Spanish mission to Central America was very different to the crimes of Pizarro in South America. Hence, the work not only has interest as being one of those occasions in the rivalry between Piron and Voltaire when the former did not better the latter, it also takes its place alongside Alzire as a contribution to the early stages of the debate about the legitimacy of colonization that would culminate in the publication of the Histoire des deux Indes.In French with introduction and notes in English.

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