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Produktinformationen "Francesco di Giorgio Martini"

This critical edition presents an unpublished album containing drawings of ancient architecture and architectural details, as well as imagined ancient buildings and sculptures by Francesco di Giorgio Martini, the Sienese architect, painter, sculptor and engineer, much admired by Leonardo da Vinci. The folios are tracings and constitute the largest known contiguous set of architectural drawings in the 15th century. They make intelligible the interrelation between the autograph sketches drawn on site and the illustrations in Francesco's treatises. Throughout the 16th century, Francesco di Giorgio's studies of antiquity are a benchmark for everyone from Raphael to Palladio and Montano to Borromini. His drawings demonstrate the parallel practise of stereometric and perspective representations in the 15th century.

Untertitel
Phantastische Antike

H | B | T | Gramm
303 mm | 249 mm | 37 mm | 2450 gr

Erscheinungsjahr
2025

FSK
0

Ausgabe
Hardcover

Verlag
Deutscher Kunstverlag

ISBN-10
3422802665

Autor
Nesselrath, Arnold

Sprache
Deutsch

Seitenanzahl
344

Themen
Kunst: allgemeine Themen, Drucke und Druckgrafik, Kunstgeschichte, Bildhauerei und Plastik, Kunst: Grundlagen und Techniken, Europäische Geschichte: Renaissance, Australien, Geschichte der Architektur, Zeichnen und Zeichnungen, Einzelne Künstler, Künstlermonografien

Verantwortliche Person gemäß Art. 16 GPSR
De Gruyter GmbH, Genthiner Straße 13, 10785, Berlin, DE, productsafety@degruyterbrill.com

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Francesco di Giorgio Martini
This critical edition presents an unpublished album containing drawings of ancient architecture and architectural details, as well as imagined ancient buildings and sculptures by Francesco di Giorgio Martini, the Sienese architect, painter, sculptor and engineer, much admired by Leonardo da Vinci. The folios are tracings and constitute the largest known contiguous set of architectural drawings in the 15th century. They make intelligible the interrelation between the autograph sketches drawn on site and the illustrations in Francesco's treatises. Throughout the 16th century, Francesco di Giorgio's studies of antiquity are a benchmark for everyone from Raphael to Palladio and Montano to Borromini. His drawings demonstrate the parallel practise of stereometric and perspective representations in the 15th century.

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