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Produktinformationen "Fashion Photography for America 1999-2016"

'Fashion, for me, should be fun-it should be light and happy, but fashion photography is so deadly serious and manufactured. It just doesn't live in real life. My thing was that I wanted to bring it into the world and make it more human.' - Juergen Teller <BR><BR> This book celebrates Juergen Teller's long-term collaboration with creative director Dennis Freedman for W magazine and later for luxury department store Barneys in New York. Between 1999 and 2016 the pair created a sweep of iconic series, all captured in Teller's trademark realistic style. In his photographs for W, Teller consistently went against the grain, resisting large-budget shoots and seeking out authentic, anti-commercial narratives and pared-down locations-as in his unforgettable first editorial in 1999 which features Stephanie Seymour, Shalom Harlow and Naomi Campbell (among other supermodels) as office workers at the magazine. Seen as a whole, Teller's W commissions reveal the evolution of his creative freedom, from shooting Haute Couture clients, Kate Moss at the Monaco Grand Prix and Tilda Swinton as a socialite collector, to portraits of William Eggleston and Roni Horn. <BR><BR> Teller and Freedman's work for Barneys catalogues between 2011 and 2016 epitomizes their risk-taking approach in unusual fashion locations such as Belgrade, Panama City and Tirana. The resulting images show playful juxtapositions and unexpected scenarios, as models and actors explore their environments in comic poses, producing a kind of non-conformist advertising. Throughout Fashion Photography for America 1999-2016 Teller has photographed original W magazines and Barneys catalogues from his archives, a low-fi method that emphasizes the physical process of looking over his past work and allows us to share in the surprises of his retrospection.

H | B | T | Gramm
278 mm | 216 mm | 20 mm | 1186 gr

Erscheinungsjahr
2024

FSK
0

Ausgabe
Hardcover

Verlag
Steidl GmbH & Co.OHG

ISBN-10
3969992958

ISBN-13
9783969992951

Autor
Juergen Teller

Sprache
Englisch

Seitenanzahl
256

Themen
Kunst: allgemeine Themen, Einzelne Fotografen, Fotojournalismus und Dokumentarfotografie, Mode- und Textildesign

Verantwortliche Person gemäß Art. 16 GPSR
GPSR Kontakt, Düstere Straße 4, 37073, Göttingen, DE, mail@steidl.de

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Weitere Bücher von Juergen Teller

Auschwitz Birkenau
Kurz vor dem 80. Jahrestag der Befreiung des Lagers reisen Juergen Teller, Dovile Drizyte und Gerhard Steidl auf Einladung des Schriftstellers und Exekutiv-Vizepräsidenten des Internationalen Auschwitz-Komitees Christoph Heubner nach Auschwitz und Birkenau. Tagelang gehen sie durch die Gedenkstätten, und Teller fotografiert, was er sieht: Baracken und Gleise, die ins Unendliche zu führen scheinen, Gaskammern und Latrinen, elektrische Zäune, Botschaften, Zeichnungen, Fotos und Nachrichten, die das Leben der Häftlinge und ihren Tod dokumentieren - aber auch Profanes wie Parkplatzschilder und Souvenirshops, Besucher und Busse. Alles in diesen Fotografien hat seine Unschuld verloren, auch Gräser, Birken, Beeren, winterliches Sonnenlicht, das durch Fenster fällt. Jedes Detail, das Teller festhält, ist eine Spur in die Welt der Opfer und Täter, ist Teil des Grauens und der Realität dieser 190 Hektar großen Todesfabrik, in der mehr als 1,1 Millionen Menschen, die meisten von ihnen Jüdinnen und Juden, ermordet wurden. Juergen Tellers Fotografien bewahren, was da ist, Vergangenheit und Gegenwart. Manchen der Fotos fügt Christoph Heubner Erinnerungen, Zitate und Eindrücke aus seinen jahrzehntelangen Begegnungen und Gesprächen mit Überlebenden des Lagers hinzu.Auschwitz Birkenau ist ein visueller Atlas, eine beeindruckende Bestandsaufnahme.Sprachen: Deutsch, Englisch

Buch | Deutsch

35,00 €
Jurgaiciai
We made a trip to the Hill of Crosses, and I couldn't stop photographing it! - Juergen Teller <BR><BR> The infamous Hill of Crosses is a pilgrimage and tourist site near Siauliai, Lithuania, which originated after the November Uprising of 1830-31, an extensive yet unsuccessful attempt to overthrow Russian rule. Crosses is Juergen Teller's intimate response to this place of remembrance, which he visited with his Lithuanian wife Dovile Drizyte and her parents in autumn 2022. With his ever curious, surveying eye, Teller captures the intense spirituality of this sacred destination. Responding to over 100,000 crucifixes within just one acre, his images embody this tangled web of religious iconography, including a dense multitude of crosses, stone sculptures of Jesus Christ draped in rosary beads, and large wooden carvings. Teller singles out details of small effigies of Christ and other emblematic features, deftly framing them against the landscape in an act of candid self-reflection. The series takes on an even deeper personal significance in the context of the 2022 passing of fashion designer Vivienne Westwood, with whom Teller had collaborated since 2007, and his gallerist since 2013 Suzanne Tarasieve. He embeds portraits of these powerful yet vulnerable women into his collection of symbolic images, a compelling tribute to two personalities who continue to inspire his work.

Buch | Englisch

20,00 €
The Myth
'This is my most romantic project.' - Juergen Teller <BR><BR> The latest collaboration with his wife Dovile Drizyte, The Myth is Juergen Teller's playful interpretation of the "legs up" fertility myth. Following the humorous 2021 series "We are building our future together" in which the Tellers dressed up as construction workers on building sites, this project reflects the next stage of their relationship as they start a family together. The enchanting location is the Grand Hotel Villa Serbelloni on Lake Como where the Tellers created images in each and every of the hotel's 97 unique rooms-in some we see the whole of Drizyte's naked body, while in others her cropped legs or feet appear unexpectedly: peeking behind duvets, curtains and furniture, tender juxtapositions in Teller's loving gaze. <BR><BR> The theatricality and ambiguity of these performed scenarios recalls Teller's seminal 2004 series "Louis XV" shot with Charlotte Rampling at the Hôtel de Crillon, Paris. This conscious revisiting of a prior experience is firmly embedded in Teller's mythology, yet this time there is an air of serendipity. Run by the same family for four generations and shaped by tradition, the Grand Hotel Villa Serbelloni is filled with art alluding to motherhood and the family unit. Paintings and sculptures of pregnancy, babies, storks and cherubs became an unexpected good luck charm for the Tellers' future parenthood and lend their amorous beauty to these deeply personal images, embodiments of the trust and creative connection between Teller and Drizyte.

Buch | Englisch

35,00 €

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