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Produktinformationen "Die Kunst der Falknerei"

Falconry, the cultural technique of hunting using falcons, hawks or even eagles, is more than a form of hunting or sport: it is also a visual practice with immense aesthetic appeal. Since its inception, falconry has been associated with political representation worldwide. Yannis Hadjinicolaou explores the ways in which falconry's political iconology and its practice as a cultural technique are connected. He traces the art of falconry worldwide, from late antiquity to the present day, focusing his study on the early modern period. He demonstrates how the transfer of functions, motifs and meanings, and the (physical) movement of artistically designed objects, but also of the falcons themselves or the instruments of falconry, still connect countries and continents today. - First visual history of falconry - A case study of a global art history - New research on a complex human-animal interaction.

Untertitel
Kulturtechnik und politische Ikonologie

H | B | T | Gramm
243 mm | 178 mm | 34 mm | 1434 gr

Erscheinungsjahr
2026

FSK
0

Ausgabe
Hardcover

Verlag
Walter de Gruyter

ISBN-10
3111396770

Autor
Yannis Hadjinicolaou

Sprache
Deutsch

Seitenanzahl
576

Themen
Kunstgeschichte, Kunst: allgemeine Themen

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Weitere Bücher von Yannis Hadjinicolaou

Der amputierte Herrscher
Why did an unknown Dutch artist paint a portrait of a Moluccan ruler with an amputated arm in the 17th century? Yannis Hadjinicolaou uncovers the fascinating story behind this unusual depiction of Sultan Sayfoedin, who ruled Tidore, one of the Moluccas islands in northeastern Indonesia, from 1657 to 1687. He examines the reasons for portraying Sayfoedin's amputation, interprets the significance of his attire, and traces the provenance of the painting, now housed in the Czartoryski Museum in Krakow. Hadjinicolaou highlights the importance of Sayfoedin's partnership with the Dutch East India Company and the carnation trade, showing how the portrait reflects the complex interplay between colonial power and local authority.- New perspectives on topics such as political iconography, transculturality, materiality and disability- Critical global art history

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Thinking Bodies - Shaping Hands focuses on the critical as well as historical dimension of the handling of the brush and of the resulting appearance of colour on the painted surface in art and art theory from the middle of the 17th (above all from 1660) to the dawn of the 18th century in the Netherlands. More specifically, it deals with Rembrandt's last pupils such as Arent de Gelder. "Handeling" describes an active, embodied process that is connected to the motion of the hand with the brush or with any other kind of tool. This term, up to now not sufficiently appreciated in scholarly literature, seems to be fruitful in this context. It is not so much connected with the term "style", as with a prior step, which is equivalent to "manner". At the same time, its meaning in Dutch till today is "action". "Handeling" is an act that could be described as a "form-act". It focuses on Formgestaltung, in which these actions themselves are understood as processes. Examining the "Rembrandtist ideology of painting", this study attempts to reveal the embodied process of painting in the sense of a bodily articulation during the application of colour. This occurs within the productive tension between theory and practice.

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