Bite Risk

When everyone's a vicious beast, it's hard to spot the monsters . . . <BR><BR>Beware of the Turned in the first book in a blockbuster teen horror for fans of Skulduggery Pleasant and Stranger Things.<BR><BR>'A riotously absorbing horror-comedy for readers of 12 and up.' – Guardian<BR><BR> Sel Archer lives in a normal town with normal residents, except for one night a month . . . When the full moon comes out, almost all of the adults turn into werewolves, and it's up to the young people to protect themselves from danger.<BR><BR> But, as this quiet life begins to unravel, and the Turned start to escape, can Sel and his friends uncover exactly who – or what – is watching their every move, before it's too late?<BR><BR>Welcome, to the TOWN OF THE TURNED.<BR><BR>Praise for Bite Risk<BR> ‘Bite Risk by the most talented S. J. Wills will have you turning each page feeling sheer horror and laughter.’ – A. M. Dassu<BR><BR> ‘Pure, thrilling brilliance!’ – Louie Stowell<BR><BR> 'This high-concept dystopian tale with a werewolf twist has tension and scares galore and is perfect for fans of Stranger Things and Big Bad Me.' – IrishIndependent<BR><BR><BR> ‘I inhaled this book. A concept that crackles, watertight world building, characters you care deeply about, & then the twists & turns . . . ’ – Nicola Penfold<BR><BR> ‘Fun, gripping and deliciously gory.’ – Amy McCaw<BR><BR> ‘I devoured Bite Risk with ruthless ferocity, or perhaps the book devoured me – I’m not too sure!’ – Sophie Kirtley<BR><BR> 'Smart, pacy, twists and turns with a hero who feels real. Exciting, thrilling but not too scary.' – Emma Norry<BR><BR> ‘A gripping, fast-paced thriller.’ – Nizrana Farook<BR><BR> ‘Bite Risk sinks its claws into you and doesn't let go until its page-racing end.’ – Maria Kuzniar<BR><BR> ‘Fresh, exciting and just what teenagers everywhere need!’ – Catherine Emmett<BR><BR> ‘Incredible. Astonishing. Sweeps you away and afterwards, there is just SO much to think about.’ – Rashmi Sirdeshpande <BR><BR> 'S. J. Wills proves a dab hand at world creation, sketching friendships and rivalries against a backdrop of post-disruption normality.' – Observer