Art Education Through Religion

Art Education Through Religion is a series of graded textbooks on art and industrial design developed in the late 1920s by Mary Gertrude McMunigle, who was Director of Art for the Diocese of Pittsburgh at the time. This endeavor was overseen by two priests: Rev. Paul E. Campbell, A.M. LitD, who was then superintendent of Parochial Schools for the Pittsburgh Diocese, and Rev. Raymond V. Kirk, A.B. PhD, Dean of the College of Education of Duquesne University. Yes, this art curriculum actually has an imprimatur!Each lesson aims to improve the student's appreciation and skill in art, while at the same time imparting both spiritual and character objectives. Therefore the use of this series trains not only the eye, but the whole person, including the intellect and will. Students gain knowledge, self-control, accuracy, reverence, helpfulness and good manners, as well as many other useful life skills.Book Three introduces techniques in composition through basic concepts such as establishing a point of interest and guiding the eye of the viewer. Emphasis is placed on the discernment of pleasing proportion and color use, through activities that explore measurement for the sake of accuracy in design and further color theory. Purity and beauty of color and design is related to purity and beauty of the soul as the student explores topics of conscience and the sacraments. **An important note**: though the levels were designed to correspond with grades one through eight, they work best as a system. If a student in the third grade or above begins to use this series for the first time, it is recommended that they begin at least one or two levels previous to their current grade level, and not later than level five. Many of the concepts introduced at the upper grade levels may prove frustrating to successfully master without the foundations laid in these earlier grades.

Art Education Through Religion is a series of graded textbooks on art and industrial design developed in the late 1920s by Mary Gertrude McMunigle, who was Director of Art for the Diocese of Pittsburgh at the time. This endeavor was overseen by two priests: Rev. Paul E. Campbell, A.M. LitD, who was then superintendent of Parochial Schools for the Pittsburgh Diocese, and Rev. Raymond V. Kirk, A.B. PhD, Dean of the College of Education of Duquesne University. Yes, this art curriculum actually has an imprimatur!Each lesson aims to improve the student's appreciation and skill in art, while at the same time imparting both spiritual and character objectives. Therefore the use of this series trains not only the eye, but the whole person, including the intellect and will. Students gain knowledge, self-control, accuracy, reverence, helpfulness and good manners, as well as many other useful life skills.Book Four presents techniques in watercolor as a new addition to the student's skill set in drawing, paper cutting, and clay molding. As the lessons explore such principles as establishing a center of interest within compositions through the intentional use of color, rhythm, contrast, shapes, and forms to guide the eye, student interest is held and maintained through paper crafts set to themes of courage, missionary work, charity, purity, Easter and the Resurrection. Nature studies encourage students to explore sources of design and symbolism within the Church and world cultures.**An important note**: though the levels were designed to correspond with grades one through eight, they work best as a system. If a student in the third grade or above begins to use this series for the first time, it is recommended that they begin at least one or two levels previous to their current grade level, and not later than level five. Many of the concepts introduced at the upper grade levels may prove frustrating to successfully master without the foundations laid in these earlier grades.

Art Education Through Religion is a series of graded textbooks on art and industrial design developed in the late 1920s by Mary Gertrude McMunigle, who was Director of Art for the Diocese of Pittsburgh at the time. This endeavor was overseen by two priests: Rev. Paul E. Campbell, A.M. LitD, who was then superintendent of Parochial Schools for the Pittsburgh Diocese, and Rev. Raymond V. Kirk, A.B. PhD, Dean of the College of Education of Duquesne University. Yes, this art curriculum actually has an imprimatur!Each lesson aims to improve the student's appreciation and skill in art, while at the same time imparting both spiritual and character objectives. Therefore the use of this series trains not only the eye, but the whole person, including the intellect and will. Students gain knowledge, self-control, accuracy, reverence, helpfulness and good manners, as well as many other useful life skills.Book One establishes basic foundational skills for viewing and creating art, using themes such as the beauty of God's creation, Bible stories, the Life of Our Lord, and religious symbolism as a backdrop for discussion of color, shapes, familiar objects, and virtues such as gratitude, reverence, love of parents, and gift giving. The main objective in this book is to introduce paper cutting, drawing, and clay molding, encouraging the child to develop basic motor skills and a sense of orderliness in art class. This book uses simple language and themes to make the building blocks of artistic techniques and principles accessible and attractive to young children.**An important note**: though the levels were designed to correspond with grades one through eight, they work best as a system. If a student in the third grade or above begins to use this series for the first time, it is recommended that they begin at least one or two levels previous to their current grade level, and not later than level five. Many of the concepts introduced at the upper grade levels may prove frustrating to successfully master without the foundations laid in these earlier grades.

Art Education Through Religion is a series of graded textbooks on art and industrial design developed in the late 1920s by Mary Gertrude McMunigle, who was Director of Art for the Diocese of Pittsburgh at the time. This endeavor was overseen by two priests: Rev. Paul E. Campbell, A.M. LitD, who was then superintendent of Parochial Schools for the Pittsburgh Diocese, and Rev. Raymond V. Kirk, A.B. PhD, Dean of the College of Education of Duquesne University. Yes, this art curriculum actually has an imprimatur!Each lesson aims to improve the student's appreciation and skill in art, while at the same time imparting both spiritual and character objectives. Therefore the use of this series trains not only the eye, but the whole person, including the intellect and will. Students gain knowledge, self-control, accuracy, reverence, helpfulness and good manners, as well as many other useful life skills.Book Five places a strong emphasis on increasing technical skill in art appreciation, graphic design, color theory, composition, lettering, and drawing. Ancient Greek architecture is appreciated through discussion and clay modeling from photos. Intuition for the proper proportions of the human form is instilled through frequent practice of figure drawing and action studies, and lettering techniques learned through paper cutting in earlier lessons now transition to hand lettering skills.**An important note**: though the levels were designed to correspond with grades one through eight, they work best as a system. If a student in the third grade or above begins to use this series for the first time, it is recommended that they begin at least one or two levels previous to their current grade level, and not later than level five. Many of the concepts introduced at the upper grade levels may prove frustrating to successfully master without the foundations laid in these earlier grades.

Art Education Through Religion is a series of graded textbooks on art and industrial design developed in the late 1920s by Mary Gertrude McMunigle, who was Director of Art for the Diocese of Pittsburgh at the time. This endeavor was overseen by two priests: Rev. Paul E. Campbell, A.M. LitD, who was then superintendent of Parochial Schools for the Pittsburgh Diocese, and Rev. Raymond V. Kirk, A.B. PhD, Dean of the College of Education of Duquesne University. Yes, this art curriculum actually has an imprimatur!Each lesson aims to improve the student's appreciation and skill in art, while at the same time imparting both spiritual and character objectives. Therefore the use of this series trains not only the eye, but the whole person, including the intellect and will. Students gain knowledge, self-control, accuracy, reverence, helpfulness and good manners, as well as many other useful life skills.Book Six delves into conventionalization-the adaptation of objects into design and pattern arrangements. Objects used to practice this skill include flowers, fruits, and religious elements and symbols. Emphasis is placed on originality, craftsmanship, and ingenuity in design patterns, props, costumes, etc. Lettering and poster design techniques explore the creation and use of lowercase letters, and drawing abilities are augmented with instruction in mechanical drawing and further practice in sketching from sight. Art appreciation moves from Greek to Roman art and architecture, and students learn about sacramentals, vestments for higher orders of the Church, natural symbols of virtues, and patriotic stories through their art exercises.**An important note**: though the levels were designed to correspond with grades one through eight, they work best as a system. If a student in the third grade or above begins to use this series for the first time, it is recommended that they begin at least one or two levels previous to their current grade level, and not later than level five. Many of the concepts introduced at the upper grade levels may prove frustrating to successfully master without the foundations laid in these earlier grades.

Art Education Through Religion is a series of graded textbooks on art and industrial design developed in the late 1920s by Mary Gertrude McMunigle, who was Director of Art for the Diocese of Pittsburgh at the time. This endeavor was overseen by two priests: Rev. Paul E. Campbell, A.M. LitD, who was then superintendent of Parochial Schools for the Pittsburgh Diocese, and Rev. Raymond V. Kirk, A.B. PhD, Dean of the College of Education of Duquesne University. Yes, this art curriculum actually has an imprimatur!Each lesson aims to improve the student's appreciation and skill in art, while at the same time imparting both spiritual and character objectives. Therefore the use of this series trains not only the eye, but the whole person, including the intellect and will. Students gain knowledge, self-control, accuracy, reverence, helpfulness and good manners, as well as many other useful life skills.Book Seven makes a return to color theory, covering analogous and monochromatic harmonies, and guides students to a strong intuition for pleasing color choice in conjunction with compositional principles such as balance, number, accent, and intensity, with many character-related analogies along the way. Clay modeling skills are challenged through study of Gothic architecture and stained glass artistry, and students continue to learn the subtle arts of spatial arrangement and design.**An important note**: though the levels were designed to correspond with grades one through eight, they work best as a system. If a student in the third grade or above begins to use this series for the first time, it is recommended that they begin at least one or two levels previous to their current grade level, and not later than level five. Many of the concepts introduced at the upper grade levels may prove frustrating to successfully master without the foundations laid in these earlier grades.

Art Education Through Religion is a series of graded textbooks on art and industrial design developed in the late 1920s by Mary Gertrude McMunigle, who was Director of Art for the Diocese of Pittsburgh at the time. This endeavor was overseen by two priests: Rev. Paul E. Campbell, A.M. LitD, who was then superintendent of Parochial Schools for the Pittsburgh Diocese, and Rev. Raymond V. Kirk, A.B. PhD, Dean of the College of Education of Duquesne University. Yes, this art curriculum actually has an imprimatur!Each lesson aims to improve the student's appreciation and skill in art, while at the same time imparting both spiritual and character objectives. Therefore the use of this series trains not only the eye, but the whole person, including the intellect and will. Students gain knowledge, self-control, accuracy, reverence, helpfulness and good manners, as well as many other useful life skills.Book Eight provides abundant opportunities to practice the analysis of picture interpretation through line, color theory, and a new concept-texture. Symbolism and motive in creating designs is further explored and analyzed as the student learns to delve deeper into the underlying messages and meanings of art. Techniques and principles of perspective receive special attention, as well as the importance of proportion and balance in figure sketching. This is achieved in conjunction with the study of Renaissance art and architecture, as well as the liturgical year.**An important note**: though the levels were designed to correspond with grades one through eight, they work best as a system. If a student in the third grade or above begins to use this series for the first time, it is recommended that they begin at least one or two levels previous to their current grade level, and not later than level five. Many of the concepts introduced at the upper grade levels may prove frustrating to successfully master without the foundations laid in these earlier grades.