Ästhetik des Verschwindens
"Virilios ,Ästhetik des Verschwindens' stellt keine leichte Lektüre dar, doch das Buch dürfte dank seinem spekulativen und allgemeinen Raster bald zu den Standardwerken der modernen Kunst- und Kulturtheorie zählen." (Conradin Wolf, Kunst-Bulletin)
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Produktinformationen "Ästhetik des Verschwindens"
"Virilios ,Ästhetik des Verschwindens' stellt keine leichte Lektüre dar, doch das Buch dürfte dank seinem spekulativen und allgemeinen Raster bald zu den Standardwerken der modernen Kunst- und Kulturtheorie zählen." (Conradin Wolf, Kunst-Bulletin)
H | B | T | Gramm
172 mm | 121 mm | 12 mm | 130 gr
Erscheinungsjahr
1986
FSK
0
Blick ins Buch
Ausgabe
Hardcover
Verlag
Merve Verlag GmbH
ISBN-10
3883960527
ISBN-13
9783883960524
Autor
Paul Virilio
Sprache
Deutsch
Seitenanzahl
0
Themen
Soziologie
Verantwortliche Person
gemäß Art. 16 GPSR
Merve Verlag GmbH, Kolonnadenstraße 5, 04109, Leipzig, 0176 62001780, merve@merve.de, www.merve.de
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The reputation as an auteur that Paul Virilio (1932-2018) enjoys today derives from the work he did for his Bunker Archeology. When, in the second half of the 1950s, he began photographing abandoned Second World War bunkers along France's Atlantic coast, he was working with glass as an artistic medium. In 1966, he presented his photographs to the public for the first time in the magazine architecture principe, which he co-edited. At the time, he was particularly interested in the architectural aspects of these wartime installations. He saw the bunkers as "harbingers of a new architecture", which he sought to capture in the term "cryptic architecture". The first exhibition of Virilio's Bunker Archeology was staged at the Centre Pompidou in 1975, while the museum was still in the process of being established. His seminal book was published in conjunction with this. It laid out all the motifs of his philosophical thinking: military space and communications warfare, camouflage and acceleration, a scrupulous reading of the present coupled with a desire for philosophical speculation. Although it is almost fifty years since the work was first published, Bunker Archeology is still full of connections to the present. To coincide with an exhibition at the Centre Pompidou, a new edition of the book is being published in French, English, and German.
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Here as Virilio states, "all one can do is guess." But Virilio's position is not one of pure guessery. His extrapolationist position against his delirium state, has the architecture of a 23rd century scientist: three parts - fractal geometry, two parts - theory of general relativity, one part - Philip K. Dick. One must step back and stare down the medusa of progress with a mirror. This is Virilio's call for a grey ecology. PAUL VIRILIO is a renowned urbanist, political theorist and critic of the art of technology.Born in Paris in 1932, Virilio is best known for his 'war model' of the growth of the modern city and the evolution of human society. He is also the inventor of the term 'dromology' or the logic of speed. Identified with the phenomenology of Merleau-Ponty, the futurism of Marinetti and technoscientific writings of Einstein, Virilio's intellectual outlook can usefully be compared to contemporary architects, philosophers and cultural critics such as Bernard Tschumi, Gilles Deleuze and Jean Baudrillard. Virilio is the author, among other books of Speed and Politics, The Information Bomb, Open Sky, and most recently, The Original Accident. (lib)
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