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'A captivating mosaic of wartime Berlin' Katja Hoyer, Financial Times<BR>'Brilliant and beautifully written' Anne Applebaum<BR> 'Brings to life Berlin during World War II so vividly that you can imagine yourself blithely strolling the streets of the city or hunkering down in the bomb shelters' Barbara Demick<BR>'A rich and fascinating portrait of Berlin at war' Literary Review<BR>'Wonderfully nuanced' Guardian<BR><BR>When war broke out in September 1939, what was most striking in the German capital at first was how little changed. Unless you were Jewish. Then life, already hard, soon got unfathomably worse. <BR><BR>Drawing on diaries, letters and memoirs, Stay Alive chronicles daily life in wartime Berlin with extraordinary power and immediacy. Here are the movie stars and swing dancers, the resistance circles and SS patrols hunting deserters, the desperate calculations of survival and collaboration. As Allied bombs reduced the city to rubble and Soviet troops closed in, the common greeting of Berliners became not auf Wiedersehen or Heil Hitler but bleiben Sie übrig - 'Stay alive'.<BR><BR>Revelatory, devastating and deeply humane, this book illuminates how ordinary people navigated the moral catastrophe of the Third Reich - what it meant to resist, to conform or simply to endure. Buruma shows how a society's accommodation to evil unfolds one compromise at a time, and why understanding this descent remains urgently relevant today.

'A multiple biography with overlapping chronology is a tricky feat and Buruma pulls it off magnificently.' Ben Macintyre, The Times<BR><BR>On the face of it, the three characters here seem to have little in common - aside from the fact that each committed wartime acts that led some to see them as national heroes, and others as villains. All three were mythmakers, larger-than-life storytellers, for whom the truth was beside the point. <BR><BR>Felix Kersten was a plump Finnish pleasure-seeker who became Heinrich Himmler's indispensable personal masseur - Himmler calling him his 'magic Buddha'. Kersten presented himself after the war as a resistance hero who convinced Himmler to save countless people from mass murder. Kawashima Yoshiko, a gender fluid Manchu princess, spied for the Japanese secret police in China, and was mythologized by the Japanese as a heroic combination of Mata Hari and Joan of Arc. Friedrich Weinreb was a Hasidic Jew in Holland who took large amounts of money from fellow Jews in an imaginary scheme to save them from deportation, while in fact betraying some of them to the German secret police. Sentenced after the war as a traitor and a con artist, he is still regarded by supporters as the 'Dutch Dreyfus'.<BR><BR> All three figures have been vilified and mythologized, out of a never-ending need, Ian Buruma argues, to see history, and particularly war, and above all World War II, as a neat tale of angels and devils. In telling their often-self-invented stories, The Collaborators offers a fascinating reconstruction of what in fact we can know about these fantasists and what will always remain out of reach. It is also an examination of the power and credibility of history: truth is always a relative concept but perhaps especially so in times of political turmoil, not unlike our own.

A revelatory look at what happens when political Islam collides with the secular West <BR><BR> Ian Buruma's Murder in Amsterdam is a masterpiece of investigative journalism, a book with the intimacy and narrative control of a crime novel and the analytical brilliance for which Buruma is renowned. On a cold November day in Amsterdam in 2004, the celebrated and controversial Dutch filmmaker Theo van Gogh was shot and killed by an Islamic extremist for making a movie that "insulted the prophet Mohammed." The murder sent shock waves across Europe and around the world. Shortly thereafter, Ian Buruma returned to his native land to investigate the event and its larger meaning as part of the great dilemma of our time.

Ian Buruma''s maternal grandparents, Bernard and Winifred (Bun & Win), wrote to each other regularly throughout their life together. The first letters were written in 1915, when Bun was still at school at Uppingham and Win was taking music lessons in Hampstead. They were married for more than sixty years, but the heart of their remarkable story lies within the span of the two world wars.<BR><BR>After a brief separation, when Bernard served as a stretcher bearer on the Western Front during the Great War, the couple exchanged letters whenever they were apart. Most of them were written during the Second World War and their correspondence is filled with vivid accounts of wartime activity at home and abroad. Bernard was stationed in India as an army doctor, while Win struggled through wartime privation and the Blitz to hold her family together, including their eldest son, the later film director John Schlesinger (Midnight Cowboy, Sunday Bloody Sunday), and twelve Jewish children they had arranged to be rescued from Nazi Germany.<BR><BR>Their letters are a priceless record of an assimilated Jewish family living in England throughout the upheavals of the twentieth century and a moving portrait of a loving couple separated by war. By using their own words, Ian Buruma has created a spellbinding homage to the sustaining power of a family''s love and devotion through very dark days