Préhistorique et primitif

Rock art is mankind's oldest artistic expression. The first creation of rock carvings (petroglyphs) and rock paintings (pictographs) by Homo sapiens represented on multiple counts a quantum leap in mental performance.<BR><BR>In Rock Art and its Legacy in Myth and Art Christoph Baumer tells the story of these remarkable creations of early human imagination in Eurasia, Arabia and the Sahara. Petroglyphs not only reflect societal and economic adaptations to climate changes but also encapsulate the worldviews, myths and rituals that prevailed for tens of thousands of years, and even down to the present. In a final chapter the artist Therese Weber describes the work of contemporary artists from different cultures who engage with rock art and introduces her own work which is inspired by her exploration of petroglyphs. Vividly illustrated throughout with 340 full colour images and 10 maps, this book is a celebration of the legacy of petroglyphs as a means of expression and of recording events and coded messages, as well as a source of inspiration for modern-day artists.

Drawing on an impressive range of archaeological and textual sources and a nuanced understanding of biases, this book offers a valuable reappraisal of the enigmatic Phoenicians. The Phoenicians is a fascinating exploration of this much-mythologized people: their history, artistic heritage, and the scope of their maritime and colonizing activities in the Mediterranean. Two aspects of the book stand out from other studies of Phoenician history: the source-focused approach and the attention paid to the various ways that biases--ancient and modern--have contributed to widespread misconceptions about who the Phoenicians really were. The book describes and analyzes various artifacts (epigraphic, numismatic, and material remains) and considers how historians have derived information about a people with little surviving literature. This analysis includes a critical look at the primary texts (classical, Near Eastern, and biblical), the relationship between the Phoenician and Punic worlds; Phoenician interaction with the Greeks and others; and the repurposing of Phoenician heritage in modernity. Detailed and engrossing, The Phoenicians casts new light on this most enigmatic of civilizations.

Michael Higgins broadens our understanding of the Seven Wonders of the Ancient World by bringing science, engineering, and technology together with ancient documentation and archaeological findings.The Seven Wonders of the Ancient World (Pyramids of Giza, Hanging Gardens of Babylon, Statue of Zeus at Olympia, Temple of Artemis at Ephesus, Colossus of Rhodes, and the Pharos Lighthouse at Alexandria) have been a source of fascination for more than two thousand years. Even though six of the Wonders are now gone, historians and archaeologists have attempted to explain how and why these ancient monuments were created. However, never before have these attempts been synthesized with the contributions of science, engineering, and technology.In The Seven Wonders of the Ancient World, Michael Higgins combines scientific research together with ancient documentation and archaeological findings to present a rich, multi-layered portrait of each monument. To build a Wonder took advanced social organization and wealth generated by agriculture and trade, both of which depended on regional geography and climate. It also took natural resources, as well as an understanding of the environment where the Wonder would stand. Even the natural processes often responsible for a Wonder's destruction sometimes contributed to the preservation of its ruins. These and other topics are accessibly explored in this book. After using science, engineering, and technology to answer key questions about the Wonders, Higgins speculates on how we could recreate these ancient monuments and make new wonders that could withstand environmental changes and natural disasters for the next two thousand years.

Paperback

This volume deals with knives and harvesting equipment in Central Europe from their first appearance until the first century of the Common Era. Knives have accompanied human beings since the Paleolithic and became useful tools, weapons, and status symbols over the course of the millennia. An epoch-transcending overview of all common types of knives is provided here for the first time.Harvesting equipment appeared with the new economy of the Neolithic period-first made of silex, then bronze, and finally sickles and scythes of iron. Cutting devices also include scissors, an innovative type of tool that revolutionized textile craft. Each type is described in detail, supplemented with information on dating and propagation as well as further literature.

'Mit Witz und gutem Gespür für Vergleiche, mit lebendigen Beschreibungen, akribisch und detailverliebt, aber auch mit dem Blick für große historische Zeiträume - die 2000-jährige Geschichte des Alten Ägypten - beschreibt Dolnick den Wettlauf der beiden Gelehrten.Er berichtet von hoffnungsfrohen Ansätzen und klugen Vermutungen, von Irrtümern und Sackgassen und schweift immer wieder kenntnis- und lehrreich ab: Zur Entschlüsselung anderer Schriften und Codes wie der kretischen Linear B oder der sumerischen Keilschrift, zur Entstehung und Entwicklung unterschiedlicher Schriftsysteme, aber auch zu Forschungsexpeditionen und kolonial-räuberischen Grabungen in Ägypten. ... Meisterhaft.' Günther Wessel, Deutschlandfunk, 22.07.2022

As offensive weapons, daggers and swords are shaped in the main by fighting styles. However, they were always status symbols as well. Lavishly designed with precious materials, they represented the self-image of warrior castes and military leaders. This is evidenced by Neolithic fishtail daggers of outstanding craftsmanship, as well as by magnificently decorated Frankish gold-hilted spathae. Volume 6 of this successful series is dedicated to one type of weapon for the first time, presenting a cross-epochal classification of "daggers and swords". The spectrum ranges from Neolithic flint daggers to Viking iron swords from the time around 1000. For the first time, prehistoric, Roman and early medieval forms are grouped together in a uniform system. - Updated, revised edition

Die Inventarisation als Kernaufgabe der Museen benötigt zuverlässige Hilfsmittel und eine einheitliche Terminologie. Band 3 der von der Landesstelle für die nichtstaatlichen Museen in Bayern herausgegebenen Reihe 'Bestimmungsbuch Archäologie' widmet sich einer nur auf den ersten Blick unspektakulären Objektgruppe, die noch nie in ein griffiges typologisches Schema gebracht wurde: den Nadeln vom Jungpaläolithikum bis zum Hochmittelalter. Näh- und Stecknadeln sind unverzichtbar bei der Herstellung von Bekleidung, Nadeln dienen als Schmuck, zur Körperverzierung oder auch als Werkzeug bei der Metallbearbeitung. Material sind Knochen oder Metalle, schlichte Ausführungen stehen neben aufwendig, auch figürlich verzierten Exemplaren. Der Thesaurus stellt die überraschende Vielfalt der Typen und Formen vor. Er kann von Laien wie auch von Wissenschaftlern benutzt werden und bietet verschiedene Erschließungstiefen bei der Inventarisierung. Jedem Begriff sind eine Definition, ein Quellennachweis und eine Abbildung beigefügt. Zur Einordnung der Objekttypen werden Hinweise zur Datierung und Verbreitung gegeben. Nun in dritter, aktualisierter Auflage!

Zu den prachtvollsten Gattungen archäologischer Funde gehören die Halsringe. Sie bestehen aus Bronze, Silber oder Gold, sind aufwendig hergestellt und reich verziert. In der Vorzeit wurden sie von ausgewählten Männern, Frauen und Kindern getragen, repräsentierten Stand und Würde des Trägers und zeichneten ihn innerhalb seiner Gesellschaft aus. In Mitteleuropa gibt es Halsringe seit dem Beginn der Bronzezeit um 2200 v. Chr. Sie kommen bis in die Völkerwanderungszeit um 500 n. Chr. vor, bei den Ostseeanrainern sogar noch bis in das 10. und 11. Jahrhundert. Im vorliegenden Band 7 der Reihe Bestimmungsbuch Archäologie werden die einzelnen typischen Formen vorgestellt, beschrieben und abgebildet. Dazu kommen Angaben zur Datierung und Verbreitung der Formen sowie weiterführende Informationen.

Te Henua Enana: Images and Settlement Patterns in The Marquesas Islands, French Polynesia represents the first attempt in Polynesian archaeology to systematically examine rock art in the Marquesas Islands in relation to settlement patterns and excavation data. Sidsel N. Millerstrom's groundbreaking archaeological research is based on more than 15 years of field work in the islands. Surveying the dramatic landscapes of the deep valleys and thick forests of the Marquesas, Millerstrom and her team found a significant quantity of rock art. They learned that every image was not randomly placed but rather purposefully positioned according to prehistoric Marquesan cultural norms. The images were found on public and private prehistoric architecture, on outcrops, rock shelters, walls of underground pits, narrow ridges and springs. Based on our present understanding of science, Millerstrom also explains what the prehistoric petroglyphs, pictographs and anthropomorphic sculptures probably signified to the past inhabitants. This monograph, first published in 2017, is volume 67 of the series Contributions of the University of California Archaeological Research Facility.

Places of Memory takes a new look at spatialised practices of remembrance and its role in reshaping societies from prehistory to today, gathering researchers representing diverse but complementary fields of expertise. This diachronic outlook provides important insights into the great variety of human and social reactions examining memory, encompassing aspects of remembering, the loss of memory, reclaiming memories, and remembering things that may not have happened. The contributions to this volume expand upon Pierre Nora's concept of lieux des memoire (places of memory) and the notion that memory is not just stored in these places but activated through human engagement. The volume presents a reflection on the creation of memories through the organisation and use of landscapes and spaces that explicitly considers the multiplicity of meanings of the past. Thus, social identities were created, reaffirmed, strengthened, and transformed through the founding, change, and reorganization of places and spaces of memory in the cultural landscape.

Das archäologische Bestimmungsbuch 'Gürtel' behandelt eine außergewöhnliche archäologische Fundgruppe, die sich durch besonders vielfältig gestaltete und reich verzierte Stücke auszeichnet. Gürtel nehmen eine besondere Rolle bei der Ausstattung römischer Soldaten, als Würdezeichen fränkischer Krieger oder in der Frauentracht ein. Neben der Zusammenstellung ganzer Gürtelgarnituren und Gürtelketten gilt die Aufmerksamkeit den Einzelteilen wie Schnallen, Gürtelhaken und Riemenzungen. Jeder Typ wird durch eine exakte Beschreibung seiner Form und Varianten, durch Angaben zu Alter und Verbreitung sowie durch Hinweise auf die Verwendung der Beschläge gekennzeichnet. In der Reihe 'Bestimmungsbuch Archäologie' werden archäologische Fundgegenstände aus dem deutschsprachigen Raum zeitlich übergreifend von den Anfängen bis in das Hochmittelalter vorgestellt. Jeder Band ist systematisch gegliedert und wurde speziell für die Bestimmung von archäologischen Sammlungsbeständen konzipiert. Er ist wissenschaftlich fundiert, umfassend bebildert und eignet sich für den Fachmann ebenso wie für Studenten oder Heimatforscher und interessierte Laien.

The decorative art of the Indians of the North Pacific coast is an unchanged, high-quality reprint of the original edition of 1897.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Testing the Canon of Ancient Near Eastern Art and Archaeology invites readers to reconsider the contents and agendas of the art historical and world-culture canons by looking at one of their most historically enduring components: the art and archaeology of the ancient Near East. Ann Shafer, Amy Rebecca Gansell, and other top researchers in the field examine and critique the formation and historical transformation of the ancient Near Eastern canon of art, architecture, and material culture. Contributors flesh out the current boundaries of regional and typological sub-canons, analyze the technologies of canon production (such as museum practices and classroom pedagogies), and voice first-hand heritage perspectives. Each chapter, thereby, critically engages with the historiography behind our approach to the Near East and proposes alternative constructs. Collectively, the essays confront and critique the ancient Near Eastern canon's present configuration and re-imagine its future role in the canon of world art as a whole.This expansive collection of essays covers the Near East's many regions, eras, and types of visual and archaeological materials, offering specific and actionable proposals for its study. Testing the Canon of Ancient Near Eastern Art and Archaeology stands as a vital benchmark and offers a collective path forward for the study and appreciation of Near Eastern cultural heritage. This book acts as a model for similar inquiries across global art historical and archaeological fields and disciplines.