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Informations sur le produit "The Sleeper Agent in Post-9/11 Media"

This book examines the figure of the sleeper agent as part of post-9/11 political, journalistic and fictional discourse. There is a tendency to discuss the terroristic threat after 9/11 as either a faraway enemy to be hunted down by military force or, on the other hand, as a ubiquitous, intangible threat that required constant alertness at home. The missing link between these two is the sleeper agent - the foreign enemy hiding among US citizens. By analyzing popular television shows, several US comic books, and a broad variety of Hollywood films that depict sleeper agents direct or allegorically, this book explores how a shift in perspective-from terrorist to sleeper agent-brings new insights into our understanding of post-9/11 representations of terrorism. The book's interdisciplinary focus between media studies, cultural studies, and American studies, suggests that it will find an audience in a variety of fields, including historical research, narratology, popular culture, as well asmedia and terrorism studies.

H | L | P | g
216 mm | 153 mm | 23 mm | 0.548 kg

Année de publication
2023

Édition
1

Classification d'âge
0

Édition
Hardcover

Éditeur
Springer

ISBN-10
3031115155

ISBN-13
9783031115158

Auteur
Vanessa Ossa

Langue
Englisch

Nombre de Pages
336

Thèmes
Graphic Novel / Comic / Manga / Cartoon, Amerika, Populäre Kultur, Medienwissenschaften, Darstellende Künste

Personne responsable selon l'art. 16 GPSR
Springer Nature Customer Service Center GmbH, Europaplatz 3, 69115, Heidelberg, DE, ProductSafety@springernature.com

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Vanessa Ossa

Auteur

Vanessa Ossa

 Vanessa Ossa is Postdoctoral Research Associate at the University of Applied Science in Cologne, Germany. She is a former member of the Collaborative Research Center 923 "Threatened Order-Societies under Stress," in Tübingen and co-editor of, "Threat Communication and the US Order after 9/11: Medial Reflections." Her research focuses on narrative representations of post-9/11 terrorism and transmedial narratology, with a particular interest in films, fictional television, comic books, video games, and related participatory practices.   

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