Adaptation and the Edge Effects of Latin American Cultures
Thomas Leitch.- Preface.- Elisabeth L. Austin and Elena Lahr-Vivaz, "Introduction: Latin American Adaptations on the Edge".- Part I. Historical Hauntings and Archival Adaptations.- 1. Catalina Andrango-Walker, "Adapting and Questioning the Historical Archive in La venganza de las cautivas [The Revenge of the Captives]".- 2. Martina Thorne, "From Naturalist and Inventor to Puppet and Christological Figure: The Story of Santiago de Cárdenas".- 3. Marie Theresa Hernandez Ramirez, "Adaptation and Redemption[in Juan Nepomuceno Cortina]".- 4. Andrew Reynolds, "‘Comprimidas Memorias’ [Compressed Memories]: Adaptations of the Modernista Movement through Autobiography".- 5. Elisabeth L. Austin, "Cosmopolitics and the Edges of Adaptation in Gabriela Cabezón Cámara’s Las aventuras de la China Iron [The Adventures of China Iron]".- Part II. Adaptive Phantoms and Edge Ecologies.- 6. Timothy Corrigan and Anna Corrigan, "The Phantoms of French Cuba".- 7. Aarón Lacayo, "A Haunting Ecology: Violence, Embodiment, and Guatemalan History in La Llorona (The Weeping Woman, Jayro Bustamante,2019)".- 8. Elena Lahr-Vivaz, "Aerial Adaptations and Archipelagic Identities in ‘The Flying Bus’".- 9. Jacqueline Bixler, "From Redux to Redos: The Politics of Adaptation in the Theatre of Sabina Berman".- 10. Rebecca Sheehan, "Iñárritu’s Edge Ecologies: The Butterfly Effect’s Border Erasure".
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