The Nine Tailors

Der fünfte Fall für Lord Peter Wimsey in attraktiver Neuausstattung«Wer klassische Krimigeschichten à la Agatha Christie mag, wird auch die Mordfälle mögen, in die Amateurdetektiv Lord Peter Wimsey seine Nase steckt.» RevueDie Autorin Harriet Vane hat ihren Geliebten vergiftet - sowohl für den zuständigen Richter als auch für Scotland Yard ist der Fall eindeutig. Die Beweislast scheint erdrückend, schließlich hat sie kürzlich mehrfach Arsen gekauft. Ein äußerst komplizierter Fall für den Lord, zumal auch Chefinspektor Parker von Scotland Yard nicht gewillt ist, ihn zu unterstützen. Erschwerend kommt hinzu, dass sich der Lord in die Angeklagte verliebt. Wimsey glaubt fest an ihre Unschuld - kann er sich trotzdem auf sein Gespür verlassen?   (lib)

Der dritte Band der Reihe in attraktiver Neuausstattung Die ältere Dame Agatha Dawson stirbt etwas früher als erwartet. Niemand stört sich daran, am wenigsten die reichlich bedachte Erbin. Der Arzt ist skeptisch, diagnostiziert dennoch Herzversagen. Der Gentlemen-Ermittler Lord Peter Wimsey ahnt Schlimmeres: Mord. Ohne eine Spur beginnt er Nachforschungen anzustellen. Seine alte Freundin, Miss Climpson, eine geschwätzige Dame mit der Gabe die richtigen Fragen zu stellen, steht im zur Seite. Plötzlich wird Agatha's ehemaliges Dienstmädchen ermordet, und Wimsey läuft bei seinem Bemühen um die Aufklärung der sonderbaren Todesumstände unvermittelt selber Gefahr "keines natürlichen Todes" zu sterben.

Unnatural Death is a 1927 mystery novel by Dorothy L. Sayers, her third featuring Lord Peter Wimsey. It was published under the title The Dawson Pedigree in the United States in 1928. According to James Brabazon in his Dorothy L Sayers: a biography (1981), Sayers drew her ingenious (and medically doubtful) murder method from her familiarity with motor engines, gained from her affair with a car mechanic and motor-bike enthusiast.In their review of Crime novels (revised edn 1989), the US writers Barzun and Taylor stated that "The tale is perhaps a little forced in conception and remote in tone. That is the trouble with all the great masters - they accustom us to such dazzling performances that when they give us what would seem wonderful coming from other hands, we sniff and act choosy. The mode of compassing death has been carped at, but no one could do anything but rejoice at Miss Climpson and her subterfuges."HRF Keating, writing in 1989, noted that Sayers had "invented a murder method that is appropriately dramatic and cunningly ingenious, the injection of an air-bubble with a hypodermic". However, "not only would it require the use of an instrument so large as to be farcical, but Miss Sayers has her bubble put into an artery not a vein. No wonder afterwards she pledged herself 'strictly in future to seeing I never write a book which I know to be careless'." In Murder in the Closet: Essays on Queer Clues in Crime Fiction before Stonewall (2017), Noah Stewart described Mary Whitaker as being "to my knowledge the most clearly delineated homosexual character in Golden Age detective fiction, despite the word 'lesbian' never being used, and she's depicted as enticing a young girl into a life of homosexuality". The episode in which Mary Whittaker is kissed by Wimsey is "the closest that a writer in 1927 would be able to come to saying that a character was a lesbian and that kissing a man made her want to vomit." Laura Vorachek argued that, in the novel, "Sayers attempts to challenge the prevalent cultural associations of blackness and criminality." In May 1975, an adaptation was made for BBC Radio 4, produced by Simon Brett and starring Ian Carmichael as Lord Peter Wimsey. (wikipedia.org) (lib)