Socrates' Defence

Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are. <BR><BR>Plato's retelling of the discourses between Socrates and his friends on such subjects as love and desire, truth and illusion, spiritual transcendence and the qualities of a good ruler, profoundly affected the ways in which we view human relationships, society and leadership - and shaped the whole tradition of Western philosophy.

The Sophist is a Platonic dialogue from the philosopher's late period, most likely written in 360 BC. In it the interlocutors, led by Eleatic Stranger employ the method of division in order to classify and define the sophist and describe his essential attributes and differentia vis a vis the philosopher and statesman. Like its sequel, the Statesman, the dialogue is unusual in that Socrates is present but plays only a minor role. Instead, the Eleatic Stranger takes the lead in the discussion. Because Socrates is silent, it is difficult to attribute the views put forward by the Eleatic Stranger to Plato, beyond the difficulty inherent in taking any character to be an author's "mouthpiece".The main objective of the dialogue is to identify what a sophist is and how a sophist differs from a philosopher and statesman. Because each seems distinguished by a particular form of knowledge, the dialogue continues some of the lines of inquiry pursued in the epistemological dialogue, Theaetetus, which is said to have taken place the day before. Because the Sophist treats these matters, it is often taken to shed light on Plato's Theory of Forms and is compared with the Parmenides, which criticized what is often taken to be the theory of forms.In Cratylus, contemporary or slightly preceding the Republic, Plato poses the problem, decisive for the use of dialectics for cognitive purposes, of the relationship between name and thing, between word and reality. Thus the 'Sophist' has its major background in the Cratylus. This dialogue is resolved in a contrast between the thesis of Hermogenes, who considers the name a simple sequence of sounds conventionally chosen to refer to an object, and the thesis of Cratylus, a pupil of the old Heraclitus, who supported the full expression of the essence of the "nominatum" in the name, and who considered the names as expressions forged by an Onomaturge, capable of expressing the essence of the thing named. (lib)

The Works of Plato: Analysis of Plato & The Republic are original Cosimo editions of a four-volume work, translated and analyzed by Benjamin Jowett. All of the works contained within are also published as separate works, but the four-volume set has added commentary from Jowett, considered one of the best translators of Plato's works. There are three editions in the Cosimo set; Volumes I and II make up the first book, and Volumes III and IV make up the second and third books. This set is ideal for any scholar of Plato and philosophy, whether amateur or seasoned.Volume I is an analysis of Plato's life and writings, concentrating on Plato's philosophy and background. Volume II is Plato's celebrated work, The Republic. These first two volumes are the perfect introduction for anyone reading Plato for the first time.One of the greatest Western philosophers who ever lived, Plato (c. 428-347 B.C.) was a student of Socrates and teacher of Aristotle. Plato was greatly influenced by Socrates' teachings, often using him as a character in scripts and plays (Socratic dialogues), which he used to demonstrate philosophical ideas. Plato's dialogues were and still are used to teach a wide range of subjects, including politics, mathematics, rhetoric, logic, and, naturally, philosophy. (lib)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (lib)

The Apology of Socrates is a Socratic dialogue of the speech of legal self-defence which Socrates (469-399 BC) spoke at his trial for impiety and corruption in 399 BC.Specifically, the Apology of Socrates is a defence against the charges of "corrupting the youth" and "not believing in the gods in whom the city believes, but in other daimonia that are novel" to Athens (24b).[2]Among the primary sources about the trial and death of the philosopher Socrates, the Apology of Socrates is the dialogue that depicts the trial, and is one of four Socratic dialogues, along with Euthyphro, Phaedo, and Crito, through which Plato details the final days of the philosopher Socrates.The Apology of Socrates begins with Socrates addressing the jury of perhaps 500 Athenian men to ask if they have been persuaded by the Orators Lycon, Anytus, and Meletus, who have accused Socrates of corrupting the young people of the city and impiety against the pantheon of Athens. The first sentence of his speech establishes the theme of the dialogue-that philosophy begins with an admission of ignorance. Socrates later clarifies that point of philosophy when he says that whatever wisdom he possesses comes from knowing that he knows nothing (23b, 29b).In the course of the trial, Socrates imitates, parodies, and corrects the Orators, his accusers, and asks the jury to judge him by the truth of his statements, not by his oratorical skill (cf. Lysias XIX 1,2,3; Isaeus X 1; Isocrates XV 79; Aeschines II 24). Socrates says he will not use sophisticated language-carefully arranged ornate words and phrases-but will speak using the common idiom of the Greek language. Socrates says that he will speak in the manner he has used in the agora and at the money tables which he states is his native tongue and the fashion of his country. Although offered the opportunity to appease the prejudices of the jury, with a minimal concession to the charges of corruption and impiety, Socrates does not yield his integrity to avoid the penalty of death. The jury condemns Socrates to death. (lib)

Do you want to read ION? If so then keep reading...Socrates figures in all of these, and they are considered the most faithful representations of the historical Socrates; hence they are also called the Socratic dialogues. Most of them consist of Socrates discussing a subject, often an ethical one (friendship, piety) with a friend or with someone presumed to be an expert on it. Through a series of questions he will show that apparently they don't understand it at all. It is left to the reader to figure out if "he" really understands "it". This makes these dialogues "indirect" teachings. This period also includes several pieces surrounding the trial and execution of Socrates.What are you waiting for ION is one click away, select the "Buy Now" button in the top right corner NOW! (lib)