La Mort D'Arthure: The History of King Arthur and of the Knights of the Round Table

The tales of the legendary King Arthur and his round table of noble knights. The rise of King Arthur is often forgotten in our real world as we seek real world facts about where the legend came from. The original text does not worry about factual answers instead relying on the imagination and the fairy tale personalities of the Lady of the Lake, Merlin, Lancelot and all the rest of the noble characters that arise in these stories.

All the legends of King Arthur and the Knights of the Round Table are collected in this illustrated volume.<BR><BR>Central figures in medieval literature, King Arthur and his Knights of the Round Table still inspire many books and films today. Drawing on the legends of Camelot from French and English sources, Sir Thomas Malory compiled the drama of illicit love, the magic of sorcery, and the quest for the Holy Grail into a sordid and chivalrous tale that’s been recounted for centuries. This beautiful leather-bound volume, which includes intricate line illustrations by renowned artist Aubrey Beardsley, will be a treasured edition of classic Arthurian folklore in any home library.

The definitive English version of the stories of King Arthur, Le Morte Darthur was completed in 1469-70 by Sir Thomas Malory, `knight-prisoner'. In a resonant prose style, Malory charts the tragic disintegration of the fellowship of the Round Table, destroyed from within by warring factions. Recounting the life of King Arthur, the knightly exploits of Sir Lancelot du Lake, Sir Tristram, Sir Gawain, and the quest for the Holy Grail, Le Morte Darthur depicts the contradictions that underscore the Fellowship's chivalric ideals. A pervading tension cumulates in the revelation of Lancelot and Guenivere's illicit passion, and in Arthur's powerlessness to prevent a related outbreak of violence and revenge. This generously annotated edition is based on the authoritative Winchester manuscript and represents what Malory wrote more closely than the first version printed by William Caxton. Intelligently abridged from the original to make a single substantial volume, the translation is supplemented by a fine Introduction, a Glossary, and extensive Notes

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

Introduction by William Caxton. The most famous English-language compilation of Arthurian legends ever issued. Originally titled "The hoole booke of kyng Arthur and of his noble knyghtes of the rounde table," this work was first published in 1485, it was one of the last major books to be published in Britain before the introduction of the printing press by William Caxton. It was also one of the first books to be published by Caxton, who also acted as editor for the work.This is not a "mass market" edition but a high quality publication printed on white paper.The storyline, drawn partly from older Latin, Welsh, French, German, Norse and even Dutch epics, takes place in Britain and France during the fall of the Western Roman Empire. King Arthur, a legendary Celtic warrior-king, serves as a symbol for the final defeat of Rome, and also the emergence of the Medieval Courtly culture. Other events in the narrative take place in Rome and the Tigris-Euphrates river basin.The author divided the text into eight books, each dealing with a particular theme. Caxton broke these up further into twenty-one books. This Volume I of Le Morte d'Arthur contains Caxton's original introduction to the work, in which he explains how he came into possession of the manuscript and his reasons for editing the work.Caxton's Books I-IX are contained in Volume I.Volume II contains Books X-XXI.

The most famous English-language compilation of Arthurian legends ever issued. Originally titled "The hoole booke of kyng Arthur and of his noble knyghtes of the rounde table," this work was first published in 1485, it was one of the last major books to be published in Britain before the introduction of the printing press by William Caxton. It was also one of the first books to be published by Caxton, who also acted as editor for the work.This is not a "mass market" edition but a high quality publication printed on white paper.The storyline, drawn partly from older Latin, Welsh, French, German, Norse and even Dutch epics, takes place in Britain and France during the fall of the Western Roman Empire. King Arthur, a legendary Celtic warrior-king, serves as a symbol for the final defeat of Rome, and also the emergence of the Medieval Courtly culture. Other events in the narrative take place in Rome and the Tigris-Euphrates river basin.The author divided the text into eight books, each dealing with a particular theme. Caxton broke these up further into twenty-one books. This Volume II of Le Morte d'Arthur contains Caxton's Books X-XXI.

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